It's really time that I got a bit of direction.
Sure, I've been coasting along reasonably well (considering a few things) and could quite easily continue that way. But I think I'll look back in five years or so and wish I'd handled things differently.
I certainly feel that way about myself five years ago at the moment.
Knowing what I know now, I really do regret not taking a few more risks then and not challenging myself at a time when I didn't think I had the strength to cope with them.
Now that I know I have the strength to handle more than I thought I have to take that confidence and ensure that I'm not the same person come 2017. You know what I mean.
In some ways I hope I am the same person but I need to be enhanced. Sure, physically I need some improvement and I must set a proper goal with my exercise program (or lack thereof the past few weeks).
What I'd really like by Christmas (since that's is a widely accepted end-time goal), or summer at least, is to have lost 5kg and be undertaking a proper exercise regime.
I have a distinct lack of focus these days. I've been distracted by certain things, things I have and am enjoying, and I think I've lost a bit of sight of what is actually a healthy lifestyle (by this I don't mean the exercise stuff, more what is considered emotionally healthy) and how to incorporate a number of aspects of life without affecting work and social aspects.
It's very important that I don't just note this down and then go away and ignore it.
This week I plan to stop into my gym (which is at work conveniently) and arrange to have a program worked out for me to start when I get back from holidays. In the couple of weeks of that break from work I need to ensure I'm exercising a bit and watching what I eat more.
I can't stress how important it is that I am able to lose the 5kg. It would actually be a pretty big psychological win because weight loss has long been something I have feared. That might sound like a silly statement but there is a very good reason for it.
And I feel like everything's untrue, and I'm holding on to this spinning room.' (T.C. 2014)
Sunday, August 05, 2012
Saturday, August 04, 2012
Magic Mike
It may not look like it on the surface but there is actually a pretty good movie in Magic Mike. The problem is that it isn't quite realised.
Not surprisingly the movie has been marketed with the soft porn angle of the male revue it centres on but, a little like Coyote Ugly about a decade ago, there's actually a story behind the gratuity.
Mike (Channing Tatum) is the headline act, known as Magic Mike, of the revue but it isn't his life. He's attempting to start his own business building furniture but is having trouble getting the financing.
At one of his jobs he meets Adam (Alex Pettyfer), a 19-year-old whose life has no real direction and he doesn't seem to have the drive to give it one. Mike eventually takes Adam under his wing and introduces him to the world of stripping for women's entertainment, run by ageing stripper Dallas (Matthew McConaughey).
And Adam, known as The Kid, is a big hit.
The problems begin to stack up as Adam's sister Brooke (Cody Horn) is less than approving of his new lifestyle despite the money that it brings in. Adam clearly struggles to handle the new world of money, readily available sex and popularity.
As I mentioned at the start there is actually a decent film in here but director Steven Soderbergh doesn't seem to be able to make up his mind. We see the glittering lights and highs of the world that Adam is brought into, for a good looking young guy it's heaven.
He also gives us glimpses of the downside but doesn't take us all the way - Mike realises at 30 his days are numbered and he clearly doesn't want to be the next Dallas, there's the sex and drugs side that isn't quite as effective as it could have been.
There's also the very obvious sexual tension between Mike and Brooke that is taken a step too far for the movie to be believable, which is a shame because as a viewer I was able to put two and two together and didn't need to be told.
It's possibly a shade too long, not quite as tightly edited as it could have been and I would have loved to have seen Adam challenged a bit more by Mike towards the end. It's almost like he sees a younger version of himself but feels powerless to stop him from heading in the same direction.
Overall Magic Mike will go down as a film that had potential to be a Boogie Nights-style movie but they opted for the more commercial stripper angle. Financially it may prove to be the right move but as a viewer it sold a good story short. A 6 out of 10.
Not surprisingly the movie has been marketed with the soft porn angle of the male revue it centres on but, a little like Coyote Ugly about a decade ago, there's actually a story behind the gratuity.
Mike (Channing Tatum) is the headline act, known as Magic Mike, of the revue but it isn't his life. He's attempting to start his own business building furniture but is having trouble getting the financing.
At one of his jobs he meets Adam (Alex Pettyfer), a 19-year-old whose life has no real direction and he doesn't seem to have the drive to give it one. Mike eventually takes Adam under his wing and introduces him to the world of stripping for women's entertainment, run by ageing stripper Dallas (Matthew McConaughey).
And Adam, known as The Kid, is a big hit.
The problems begin to stack up as Adam's sister Brooke (Cody Horn) is less than approving of his new lifestyle despite the money that it brings in. Adam clearly struggles to handle the new world of money, readily available sex and popularity.
As I mentioned at the start there is actually a decent film in here but director Steven Soderbergh doesn't seem to be able to make up his mind. We see the glittering lights and highs of the world that Adam is brought into, for a good looking young guy it's heaven.
He also gives us glimpses of the downside but doesn't take us all the way - Mike realises at 30 his days are numbered and he clearly doesn't want to be the next Dallas, there's the sex and drugs side that isn't quite as effective as it could have been.
There's also the very obvious sexual tension between Mike and Brooke that is taken a step too far for the movie to be believable, which is a shame because as a viewer I was able to put two and two together and didn't need to be told.
It's possibly a shade too long, not quite as tightly edited as it could have been and I would have loved to have seen Adam challenged a bit more by Mike towards the end. It's almost like he sees a younger version of himself but feels powerless to stop him from heading in the same direction.
Overall Magic Mike will go down as a film that had potential to be a Boogie Nights-style movie but they opted for the more commercial stripper angle. Financially it may prove to be the right move but as a viewer it sold a good story short. A 6 out of 10.
Saturday, July 21, 2012
Stuck
Sheldon: I feel somewhat like an inverse tangent function that’s approaching an asymptote.
Kripke: Are you saying you’re stuck?
The above quote from The Big Bang Theory was in my mind as I was thinking about this post. At the moment I feel kinda stuck.
I'm not particularly happy with some areas of life and while I'm not powerless to change some things it seems I am lacking in the willpower, or 'get up and go' required.
The first is some frustration in having actually gained weight since I started going to the gym late last year. I had hoped to lose 3-4kg instead I've put that on and a little bit more. Some of it admittedly can be contributed to increase is muscle tone (not that you can tell for the most part).
Part of the trouble is that I seem to keep injuring myself in the gym - straining my back is pretty common - and what I think needs to be done is to have a proper program organised so that I'm not overdoing it rather than doing things on an ad hoc basis.
General exercise is something I also must commit a bit more to. I used to love taking a walk on most days now I don't do it nearly as often. I'd also like to get to the pool a bit more.
The second thing involves my attitude to money.
I'm fortunate to have a good job and one that I enjoy but I haven't been as vigilant as I should be, especially given the way things have been going not only in the media but economically in general, with saving. I definitely have saved a bit this year but events in the past couple of months have seen me undo some of that good work.
I've set myself a little goal to save a certain amount before I head off on my next holiday in a few weeks time so hopefully I can stick with it. I don't like the way it makes me feel when I realise I've blown money I could have been using for something better - even for paying bills.
Then there's the fact that I am 37 and no closer to not being single than I was at 27. Don't get me wrong I'm enjoying the freedom that it allows and having some fun along the way but, ultimately, I wonder whether 'settling down' is for me. Are children for me?
There are a couple of other issues that remain in limbo, only solidifying the feeling of being stuck. One in particular would be so easy to shove along but I'm not sure if it is actually a good idea given one of my above points.
So I'm stuck not knowing which direction is forward, what decisions are the right ones to move forward and to shake the occasional feeling of discontent.
Kripke: Are you saying you’re stuck?
The above quote from The Big Bang Theory was in my mind as I was thinking about this post. At the moment I feel kinda stuck.
I'm not particularly happy with some areas of life and while I'm not powerless to change some things it seems I am lacking in the willpower, or 'get up and go' required.
The first is some frustration in having actually gained weight since I started going to the gym late last year. I had hoped to lose 3-4kg instead I've put that on and a little bit more. Some of it admittedly can be contributed to increase is muscle tone (not that you can tell for the most part).
Part of the trouble is that I seem to keep injuring myself in the gym - straining my back is pretty common - and what I think needs to be done is to have a proper program organised so that I'm not overdoing it rather than doing things on an ad hoc basis.
General exercise is something I also must commit a bit more to. I used to love taking a walk on most days now I don't do it nearly as often. I'd also like to get to the pool a bit more.
The second thing involves my attitude to money.
I'm fortunate to have a good job and one that I enjoy but I haven't been as vigilant as I should be, especially given the way things have been going not only in the media but economically in general, with saving. I definitely have saved a bit this year but events in the past couple of months have seen me undo some of that good work.
I've set myself a little goal to save a certain amount before I head off on my next holiday in a few weeks time so hopefully I can stick with it. I don't like the way it makes me feel when I realise I've blown money I could have been using for something better - even for paying bills.
Then there's the fact that I am 37 and no closer to not being single than I was at 27. Don't get me wrong I'm enjoying the freedom that it allows and having some fun along the way but, ultimately, I wonder whether 'settling down' is for me. Are children for me?
There are a couple of other issues that remain in limbo, only solidifying the feeling of being stuck. One in particular would be so easy to shove along but I'm not sure if it is actually a good idea given one of my above points.
So I'm stuck not knowing which direction is forward, what decisions are the right ones to move forward and to shake the occasional feeling of discontent.
The Dark Knight Rises
It's very hard to walk into a theatre with reasonable expectations of a film like The Dark Knight Rises because it's been pegged as a 5-star film and, in one review I saw, ''will restore your faith in the motion picture''.
It was never going to live up to the hype - and it doesn't.
That said, Christopher Nolan has done a fantastic job with his Batman trilogy.
I'll say up front that this is inferior to The Dark Knight and that has nothing to do with the mysticism surrounding Heath Ledger's now iconic performance as The Joker.
Here's my review of The Dark Knight .
Bruce Wayne (Christian Bale) is a broken man as we rejoin Gotham City eight years after the events of The Dark Knight. Gotham now celebrates low crime thanks to the Harvey Dent law put in place when Dent was given credit for saving the city in the previous film. (We all know though what he was actually up to).
There's a mysterious series of 'Cat' burglaries in Gotham being staged by Selina Kyle (Anne Hathaway) and there's a new terrorist on the loose called Bane (Tom Hardy).
Bane, who calls himself Gotham's reckoning, sets out to detonate a nuclear bomb which was created, sort of, by Lucius Fox (Morgan Freeman) and Miranda Tagg (Marion Cotillard) in the form of a fusion reactor to provide Gotham with clean energy.
It's time for Batman to resurface but when he does he's pursued having taken the fall for Dent's crimes. Commissioner Gordon (Gary Oldman), injured early in the film, begins grooming a new detective John Blake (Joseph Gordon-Levitt) who is one of the few people in town to still believe in 'The Batman'.
At 164 minutes there is a lot of ground covered so I won't go into the intricacies of the plot, but needless to say Bane wreaks havoc on Gotham and it's up to Batman to again come to the rescue.
What The Dark Knight Rises does well is ties up the trilogy though there are one or two ends left open, which I found interesting. We also get cameos from a couple of previous villains Ra's Al Ghul (Liam Neeson) and Dr Jonathan Crane/Scarecrow (Cillian Murphy) that I didn't think added anything although Murphy's cameo was amusing.
The main problem I had was with the villain Bane. He came across as more of a thug than a true evil genius which made him harder to warm to than The Joker. His voice was interesting, though.
There also wasn't nearly enough of Batman himself. After his early car chase with the police he confronts Bane and is beaten to pulp and then doesn't reappear until the climax.
However, I loved Anne Hathaway in her role. Though never actually referred to as Catwoman we all know that's who she was and her outfit was up there with Michelle Pfeiffer's. She also had an attitude that I've never seen Hathaway pull off before in her previous roles - she was the standout performance for me and in some ways made up for the absence of Batman.
As mentioned, even though Nolan's trilogy is wrapped up he does leave a loose end or two.
The main one surrounds the character of John Blake. We discover, after he tosses in his job with the police, that John is not his real first name - his name is actually Robin.
The ending will have you screaming - 'another sequel' or at least 'spin-off'. And from what I understand from my little knowledge of the comic books this is actually plausible. Though I can't understand why Nolan would want to 'conclude' something in this way.
From all of this you'll think I didn't like the film. Well, I did like it and I thought it was excellent.
But, it is absolutely not the best of Nolan's three offerings and I'm not even sure it is the second best. There's no doubt you'll enjoy it if you're a fan of the series - an 8 out of 10 - but be warned you might be a little let down if you're expecting a masterpiece.
It was never going to live up to the hype - and it doesn't.
That said, Christopher Nolan has done a fantastic job with his Batman trilogy.
I'll say up front that this is inferior to The Dark Knight and that has nothing to do with the mysticism surrounding Heath Ledger's now iconic performance as The Joker.
Here's my review of The Dark Knight .
Bruce Wayne (Christian Bale) is a broken man as we rejoin Gotham City eight years after the events of The Dark Knight. Gotham now celebrates low crime thanks to the Harvey Dent law put in place when Dent was given credit for saving the city in the previous film. (We all know though what he was actually up to).
There's a mysterious series of 'Cat' burglaries in Gotham being staged by Selina Kyle (Anne Hathaway) and there's a new terrorist on the loose called Bane (Tom Hardy).
Bane, who calls himself Gotham's reckoning, sets out to detonate a nuclear bomb which was created, sort of, by Lucius Fox (Morgan Freeman) and Miranda Tagg (Marion Cotillard) in the form of a fusion reactor to provide Gotham with clean energy.
It's time for Batman to resurface but when he does he's pursued having taken the fall for Dent's crimes. Commissioner Gordon (Gary Oldman), injured early in the film, begins grooming a new detective John Blake (Joseph Gordon-Levitt) who is one of the few people in town to still believe in 'The Batman'.
At 164 minutes there is a lot of ground covered so I won't go into the intricacies of the plot, but needless to say Bane wreaks havoc on Gotham and it's up to Batman to again come to the rescue.
What The Dark Knight Rises does well is ties up the trilogy though there are one or two ends left open, which I found interesting. We also get cameos from a couple of previous villains Ra's Al Ghul (Liam Neeson) and Dr Jonathan Crane/Scarecrow (Cillian Murphy) that I didn't think added anything although Murphy's cameo was amusing.
The main problem I had was with the villain Bane. He came across as more of a thug than a true evil genius which made him harder to warm to than The Joker. His voice was interesting, though.
There also wasn't nearly enough of Batman himself. After his early car chase with the police he confronts Bane and is beaten to pulp and then doesn't reappear until the climax.
However, I loved Anne Hathaway in her role. Though never actually referred to as Catwoman we all know that's who she was and her outfit was up there with Michelle Pfeiffer's. She also had an attitude that I've never seen Hathaway pull off before in her previous roles - she was the standout performance for me and in some ways made up for the absence of Batman.
As mentioned, even though Nolan's trilogy is wrapped up he does leave a loose end or two.
The main one surrounds the character of John Blake. We discover, after he tosses in his job with the police, that John is not his real first name - his name is actually Robin.
The ending will have you screaming - 'another sequel' or at least 'spin-off'. And from what I understand from my little knowledge of the comic books this is actually plausible. Though I can't understand why Nolan would want to 'conclude' something in this way.
From all of this you'll think I didn't like the film. Well, I did like it and I thought it was excellent.
But, it is absolutely not the best of Nolan's three offerings and I'm not even sure it is the second best. There's no doubt you'll enjoy it if you're a fan of the series - an 8 out of 10 - but be warned you might be a little let down if you're expecting a masterpiece.
Tuesday, July 17, 2012
Not Suitable For Children
The best way I can describe Not Suitable For Children is like a puzzle that has all the right pieces but that's not put together properly.
I really wanted to like this one more than I ultimately did. Not just because it's an Australian film, it's an interesting story just one that didn't quite gel for me.
Jonah (Ryan Kwanten) is your average single twentysomething living in Sydney. He parties, hooks up and basically has no responsibility.
It's during one of his random hook ups that he discovers a lump on a testicle. It turns out he has cancer and must have the offending piece of anatomy removed. He'll be fine but the catch is that he won't be able to conceive a child. So Jonah sets out to find someone who wants to have a baby with him.
Jonah's housemates Stevie (Sarah Snook) and Gus (Ryan Corr) realise this is a bad idea but are seemingly powerless to stop him trying to convince ex-girlfriends and other random women he knows to carry his baby.
Stevie, who professes to never want children, eventually tries to set Jonah up with a lesbian couple and another friend from work who might be interested but to no avail. She then decides she'll make an arrangement and the burning sexual tension between the two finally gets the better of them, unbeknownst to Gus.
The cast is great. Ryan Kwanten plays the lovable Jonah brilliantly, in some ways he's not unlike the Griff character from his film Griff The Invisible a couple of years ago. Kind of vulnerable as well as confident.
Sarah Snook grows on you, perhaps it's her character that is a little slow to develop. Ryan Corr, who we know from Packed To The Rafters, is the ultimate sidekick. It's almost like they took Coby from Rafters, made him a little less bumbling, and planted him in the film. He's great and he gets most of the funny lines - including the very last one in the movie which is a riot - and seems oddly obsessed with seeing the cancerous testicle once it has been removed.
So why didn't it quite work? I think it spent too much time trying to decide what type of movie it is. They would have been better served going for a drama with elements of the rom-com rather than the other way around because it took too long to start to work in that way. You're basically inside the last half an hour before that all clicks.
It's an excellent story idea....a guy whose thoughts are so far from parenthood and settling down suddenly finds being a father his top priority, just as he's given up he finds love.
I wouldn't discourage anyone from giving this a go, you might get more out of it than I did or it might resonate more. A 7 out of 10, which is still good, but I was hoping for an 8 or more.
I really wanted to like this one more than I ultimately did. Not just because it's an Australian film, it's an interesting story just one that didn't quite gel for me.
Jonah (Ryan Kwanten) is your average single twentysomething living in Sydney. He parties, hooks up and basically has no responsibility.
It's during one of his random hook ups that he discovers a lump on a testicle. It turns out he has cancer and must have the offending piece of anatomy removed. He'll be fine but the catch is that he won't be able to conceive a child. So Jonah sets out to find someone who wants to have a baby with him.
Jonah's housemates Stevie (Sarah Snook) and Gus (Ryan Corr) realise this is a bad idea but are seemingly powerless to stop him trying to convince ex-girlfriends and other random women he knows to carry his baby.
Stevie, who professes to never want children, eventually tries to set Jonah up with a lesbian couple and another friend from work who might be interested but to no avail. She then decides she'll make an arrangement and the burning sexual tension between the two finally gets the better of them, unbeknownst to Gus.
The cast is great. Ryan Kwanten plays the lovable Jonah brilliantly, in some ways he's not unlike the Griff character from his film Griff The Invisible a couple of years ago. Kind of vulnerable as well as confident.
Sarah Snook grows on you, perhaps it's her character that is a little slow to develop. Ryan Corr, who we know from Packed To The Rafters, is the ultimate sidekick. It's almost like they took Coby from Rafters, made him a little less bumbling, and planted him in the film. He's great and he gets most of the funny lines - including the very last one in the movie which is a riot - and seems oddly obsessed with seeing the cancerous testicle once it has been removed.
So why didn't it quite work? I think it spent too much time trying to decide what type of movie it is. They would have been better served going for a drama with elements of the rom-com rather than the other way around because it took too long to start to work in that way. You're basically inside the last half an hour before that all clicks.
It's an excellent story idea....a guy whose thoughts are so far from parenthood and settling down suddenly finds being a father his top priority, just as he's given up he finds love.
I wouldn't discourage anyone from giving this a go, you might get more out of it than I did or it might resonate more. A 7 out of 10, which is still good, but I was hoping for an 8 or more.
Thursday, July 12, 2012
You always want what you can't have
I was going to write some kind of reflective poem or the like but why not be a little more straight forward.
The past few weeks have been quite eye-opening. In some ways I feel a bit like that six-year-old kid that wants a lollipop and jumps up and down in frustration when he's denied it.
I completely understand the concept of you can't always have what you want, but in this case it is clearly that I want what I can't have.
Actually, I'm not completely sure that I do want it but the opportunity would be great.
Then I'd have something to consider seriously, rather than let my mind continue to beat itself up as it works out how to handle situations.
Would I rather have the status quo and simply want something I can't have, or would I prefer to have the chance to be completely crushed?
Everything is really easy in theory.
Do I really understand what having that chance might actually mean? Or am I just chasing waterfalls? (Yes, that's a TLC song reference).
Again, is that what I really want? It's something I have expressed several times, while risking being a bit unfair and spoiling a very good and promising situation.
People are interesting creatures. And, despite protesting to the contrary a number of times, they can quite often surprise me. Books and covers and judging, you know what I mean.
In a place like Sydney superficiality rules. It's all about 'me', you only have to travel on public transport to work that out let alone getting among the so called A list.
Real people are out there, and I'm fortunate to know quite a few and to have met some who I, admittedly, had wrongly pegged as likely shallow types.
They haven't all made my life better, but some definitely have had an impact.
But they have also served to make me realise that I'm wanting what I can't have at the moment.
The past few weeks have been quite eye-opening. In some ways I feel a bit like that six-year-old kid that wants a lollipop and jumps up and down in frustration when he's denied it.
I completely understand the concept of you can't always have what you want, but in this case it is clearly that I want what I can't have.
Actually, I'm not completely sure that I do want it but the opportunity would be great.
Then I'd have something to consider seriously, rather than let my mind continue to beat itself up as it works out how to handle situations.
Would I rather have the status quo and simply want something I can't have, or would I prefer to have the chance to be completely crushed?
Everything is really easy in theory.
Do I really understand what having that chance might actually mean? Or am I just chasing waterfalls? (Yes, that's a TLC song reference).
Again, is that what I really want? It's something I have expressed several times, while risking being a bit unfair and spoiling a very good and promising situation.
People are interesting creatures. And, despite protesting to the contrary a number of times, they can quite often surprise me. Books and covers and judging, you know what I mean.
In a place like Sydney superficiality rules. It's all about 'me', you only have to travel on public transport to work that out let alone getting among the so called A list.
Real people are out there, and I'm fortunate to know quite a few and to have met some who I, admittedly, had wrongly pegged as likely shallow types.
They haven't all made my life better, but some definitely have had an impact.
But they have also served to make me realise that I'm wanting what I can't have at the moment.
Sunday, July 08, 2012
Here we go again
For once it isn't me that's going around in circles but I'm pretty sure I don't want to be taken along for the ride again.
It's hard enough to personally try and move forward.
While I still don't know what I want exactly, I do know that there is only so long you can hit your head against the wall before you work out it's doing you damage.
Am I in a position to change anything? Absolutely I am. However, I'm not overly willing to make knee-jerk reactions even though it is something that has been at the forefront of my thinking for a little while now.
Why the hesitation? Once you make changes you can't go back. I know that flies in the face of what I'm guessing I'm commenting on right now but they call it 'comfort' for a reason.
I'm trying hard to change a few things about myself and I'm finding that it isn't as easy in practice as it is in theory. No pain, no gain....that's pretty true. My pain thresh-hold when it comes to some things isn't overly high, though.
I recently watched the classic 1980 film The Blues Brothers (for the first time, I might add) and what struck me was that I really don't allow myself to have much fun.
To keep the movie references going, there's a scene in Six Degrees Of Separation where a two sided Kandinsky painting is held up and described as representing Chaos and Control. I like the illusion of being in control.
It's hard enough to personally try and move forward.
While I still don't know what I want exactly, I do know that there is only so long you can hit your head against the wall before you work out it's doing you damage.
Am I in a position to change anything? Absolutely I am. However, I'm not overly willing to make knee-jerk reactions even though it is something that has been at the forefront of my thinking for a little while now.
Why the hesitation? Once you make changes you can't go back. I know that flies in the face of what I'm guessing I'm commenting on right now but they call it 'comfort' for a reason.
I'm trying hard to change a few things about myself and I'm finding that it isn't as easy in practice as it is in theory. No pain, no gain....that's pretty true. My pain thresh-hold when it comes to some things isn't overly high, though.
I recently watched the classic 1980 film The Blues Brothers (for the first time, I might add) and what struck me was that I really don't allow myself to have much fun.
To keep the movie references going, there's a scene in Six Degrees Of Separation where a two sided Kandinsky painting is held up and described as representing Chaos and Control. I like the illusion of being in control.
The Amazing Spider-Man
I felt a profound sense of deva ju watching The Amazing Spider-Man for obvious reasons.
I've seen it before!
It was only 10 years ago that Marvel brought Spider-Man to the big screen starring Tobey Maguire and Kirsten Dunst, and only five years since Spider-Man 3 which was, admittedly, a bit too filled up having two villains on the scene.
In their wisdom, Marvel decided to do a 'Batman Begins' on the Spider-Man franchise and here we are with Andrew Garfield taking over the lead role.
Mary Jane has been brushed aside and we have Gwen Stacy (Emma Stone), a character which was in Spider-Man 3 played by Bryce Dallas Howard, as the major love interest.
We kick off a little differently in the 2012 reboot learning that Peter Parker's father was working on a top secret project with Dr Curt Conners (Rhys Ifans) involving spiders which was hoped would help people who have lost limbs (like the doctor).
He disappeared shortly after leaving Peter with his aunt May (Sally Field) and uncle Ben (Martin Sheen).
After sneaking into a intern visit at Oscorp (yes, owned by Norman Osborn) to visit Dr Conners, Peter is bitten by a genetically enhanced spider and pretty soon starts discovering all these weird and wonderful powers.
The following things happen as they did in the first Spider-Man: Peter allows a criminal to get away with robbing someone and then the robber kills uncle Ben; the Dr, just like Norman Osborn, experiments on himself and is transformed into the villain (in this case The Lizard); Peter has a fight with the school bully Flash; Peter decides he needs a mask to fight crime and is tagged 'Spider-Man' by someone else; he's seen as a bad guy this time by the town police chief (Denis Leary), who is also Gwen's father; there's a major fight with the villain on a bridge; there is a funeral at the end.
What is done differently is the character of Spider-Man in that he's a bit more of a teen than Maguire's and seems to enjoy it more and makes more sarcastic comments.
The action scenes aren't particularly new or even very different from the 2002 version which is odd given the improvements in CGI.
Anyway, we all know the story. What this one does well is develops the characters a little better, though Garfield's Parker didn't seem to change physically after being bitten as Maguire's did. That said he was possibly a bit more likeable.
The Lizard was about the same as the Green Goblin and he even talked to himself like that character did.
Overall, I have to say it was a good movie but I'm certain it isn't the definitive Spider-Man film. It wasn't any better than the 2002 version which also had Willem Defoe and James Franco in the cast.
Having said that it will be interesting to see where they move now for the sequel (there will be a sequel, the scene during the credits would confirm that) because if the Green Goblin is the next villain, or Dr Octopus for that matter, then it's a bit of a cop out.
I'd have preferred them to move forward with Spider-Man, I don't know why they felt the need to go back to the start so soon.
It's good but if you've seen the 2002 film and its sequels you'll definitely have the same deva vu feeling I had with me for the two hours or so. My expectations weren't high, right from the time I heard they were making a new series, and it was pretty much as I anticipated.
I think I gave the original trilogy 9s or thereabouts, this one gets a 7 out of 10.
I've seen it before!
It was only 10 years ago that Marvel brought Spider-Man to the big screen starring Tobey Maguire and Kirsten Dunst, and only five years since Spider-Man 3 which was, admittedly, a bit too filled up having two villains on the scene.
In their wisdom, Marvel decided to do a 'Batman Begins' on the Spider-Man franchise and here we are with Andrew Garfield taking over the lead role.
Mary Jane has been brushed aside and we have Gwen Stacy (Emma Stone), a character which was in Spider-Man 3 played by Bryce Dallas Howard, as the major love interest.
We kick off a little differently in the 2012 reboot learning that Peter Parker's father was working on a top secret project with Dr Curt Conners (Rhys Ifans) involving spiders which was hoped would help people who have lost limbs (like the doctor).
He disappeared shortly after leaving Peter with his aunt May (Sally Field) and uncle Ben (Martin Sheen).
After sneaking into a intern visit at Oscorp (yes, owned by Norman Osborn) to visit Dr Conners, Peter is bitten by a genetically enhanced spider and pretty soon starts discovering all these weird and wonderful powers.
The following things happen as they did in the first Spider-Man: Peter allows a criminal to get away with robbing someone and then the robber kills uncle Ben; the Dr, just like Norman Osborn, experiments on himself and is transformed into the villain (in this case The Lizard); Peter has a fight with the school bully Flash; Peter decides he needs a mask to fight crime and is tagged 'Spider-Man' by someone else; he's seen as a bad guy this time by the town police chief (Denis Leary), who is also Gwen's father; there's a major fight with the villain on a bridge; there is a funeral at the end.
What is done differently is the character of Spider-Man in that he's a bit more of a teen than Maguire's and seems to enjoy it more and makes more sarcastic comments.
The action scenes aren't particularly new or even very different from the 2002 version which is odd given the improvements in CGI.
Anyway, we all know the story. What this one does well is develops the characters a little better, though Garfield's Parker didn't seem to change physically after being bitten as Maguire's did. That said he was possibly a bit more likeable.
The Lizard was about the same as the Green Goblin and he even talked to himself like that character did.
Overall, I have to say it was a good movie but I'm certain it isn't the definitive Spider-Man film. It wasn't any better than the 2002 version which also had Willem Defoe and James Franco in the cast.
Having said that it will be interesting to see where they move now for the sequel (there will be a sequel, the scene during the credits would confirm that) because if the Green Goblin is the next villain, or Dr Octopus for that matter, then it's a bit of a cop out.
I'd have preferred them to move forward with Spider-Man, I don't know why they felt the need to go back to the start so soon.
It's good but if you've seen the 2002 film and its sequels you'll definitely have the same deva vu feeling I had with me for the two hours or so. My expectations weren't high, right from the time I heard they were making a new series, and it was pretty much as I anticipated.
I think I gave the original trilogy 9s or thereabouts, this one gets a 7 out of 10.
Thursday, July 05, 2012
Prometheus
A movie like Prometheus was always going to have a lot to live up to given it has been widely reviewed as a prequel to the classic 1979 film Alien.
In some ways it is most definitely intended to precede that film but I think director Ridley Scott has done well to put some distance between them.
Because of this connection to a legendary film a lot of critics have been pretty savage in their disdain. Indeed the reviews I was told by others who had seen it ranged from no good to outstanding.
I'm not going to go into the intricacies of the plot and what planet the ship lands on etc, you can find that out elsewhere.
Elizabeth Shaw (Noomi Rapace) and Charlie Holloway (Logan Marshall-Green) are scientists who discover a link to the origins of mankind and their discovery prompts rich tycoon Peter Weyland (an unrecognisable Guy Pearce) to fund a trip to a faraway galaxy in search of answers under the guidance of Meredith Vickers (Charlize Theron).
When the crew of the Prometheus arrive they discover a strip of land that has been cleared and several dome shaped buildings erected.
Naturally the crew checks out their finding and they discover a strange labyrinth with a large number of dead creatures and a room that seems to be a tomb or a temple.
When the ship's android David (Michael Fassbender) smuggles something from the room back onto the ship and gets Holloway to consume some of the strange substance he has discovered all hell breaks loose.
Being spoken in the same terms as the Alien series is a bit unfair but you do get insight into the origin of the species seen in the original series. You do have to wait for it, though.
Fassbender is particularly good in his role. David, being an android, can't feel emotion and the actor does an outstanding job of appearing cold, aloof and very calculated in his moves as he carries out the wishes of his master Weyland.
There's enough tension in there to keep you on your toes and a little of the horror that you'd expect from an Alien movie (think more movies 1 and 2, not 3 and 4). Given the trail blazed by those films and our general desensitisation to gore the movie isn't as unsettling as it could have been say 20 or 30 years ago.
I think it might benefit from a second viewing, there is so much to work out in so little time (even though the film is over two hours long) you don't really pay a lot of attention to the characters.
Overall, if you can manage to see Prometheus with an open mind and not associate it too closely to Alien (let's face it, Rapace's character is no Ripley) then you'll go a long way toward liking it.
The ending is a little weak, I might add, but really, how do you top 'get away from her, you bitch'?
I thought a 7 out of 10, and I'll say it was a lot more interesting than I was expecting.
In some ways it is most definitely intended to precede that film but I think director Ridley Scott has done well to put some distance between them.
Because of this connection to a legendary film a lot of critics have been pretty savage in their disdain. Indeed the reviews I was told by others who had seen it ranged from no good to outstanding.
I'm not going to go into the intricacies of the plot and what planet the ship lands on etc, you can find that out elsewhere.
Elizabeth Shaw (Noomi Rapace) and Charlie Holloway (Logan Marshall-Green) are scientists who discover a link to the origins of mankind and their discovery prompts rich tycoon Peter Weyland (an unrecognisable Guy Pearce) to fund a trip to a faraway galaxy in search of answers under the guidance of Meredith Vickers (Charlize Theron).
When the crew of the Prometheus arrive they discover a strip of land that has been cleared and several dome shaped buildings erected.
Naturally the crew checks out their finding and they discover a strange labyrinth with a large number of dead creatures and a room that seems to be a tomb or a temple.
When the ship's android David (Michael Fassbender) smuggles something from the room back onto the ship and gets Holloway to consume some of the strange substance he has discovered all hell breaks loose.
Being spoken in the same terms as the Alien series is a bit unfair but you do get insight into the origin of the species seen in the original series. You do have to wait for it, though.
Fassbender is particularly good in his role. David, being an android, can't feel emotion and the actor does an outstanding job of appearing cold, aloof and very calculated in his moves as he carries out the wishes of his master Weyland.
There's enough tension in there to keep you on your toes and a little of the horror that you'd expect from an Alien movie (think more movies 1 and 2, not 3 and 4). Given the trail blazed by those films and our general desensitisation to gore the movie isn't as unsettling as it could have been say 20 or 30 years ago.
I think it might benefit from a second viewing, there is so much to work out in so little time (even though the film is over two hours long) you don't really pay a lot of attention to the characters.
Overall, if you can manage to see Prometheus with an open mind and not associate it too closely to Alien (let's face it, Rapace's character is no Ripley) then you'll go a long way toward liking it.
The ending is a little weak, I might add, but really, how do you top 'get away from her, you bitch'?
I thought a 7 out of 10, and I'll say it was a lot more interesting than I was expecting.
Monday, July 02, 2012
Ted
If you've seen the TV show Family Guy then you'll know what to expect from Ted which is the first movie from its creator Seth McFarlane.
The voice of narrator Patrick Stewart tells us the story of John Bennett (Mark Wahlberg) who as a young boy made a Christmas wish that his bear Teddy could be a real friend.
As it always does, his wish is granted and Ted comes to life.
We flash forward some 27 years and John and Ted are still together ('thunder buddies for life' is their hilarious (wait and see it) bond) much to the frustration of John's girlfriend Lori (Mila Kunis).
Ted is far from the innocent child's play buddy he was when John was eight. He's now a surly, offensive, pot smoking ex-celebrity.
The last straw for Lori comes when Ted has invited four hookers over one night to party and one of them crosses many lines in what she is dared to do. I just can't bring myself to say what it is.
So Ted's forced to move out and get a job and his own apartment but the fact that John still spends so much time with him continues to gnaw at his relationship with Lori.
For extra plot we also meet Ted's girlfriend Tami Lynn (Jessica Barth) and a weird father (Giovanniu Ribisi)and son pair who want to buy Ted from John. They're responsible for a few pretty funny scenes.
Given what he produces with Family Guy, you know that Ted is a pretty lowbrow comedy but it is very funny and does have a heart. There's even a Peter Griffin reference and a rather hilarious uncredited cameo from Ryan Reynolds plus, oddly, singer Norah Jones.
I had pretty high expectations going into the film, because the trailer was just so funny, and it lived up to them. I wasn't blown away by it but there's enough here to keep you chuckling throughout most of the movie as well as several very, very funny scenes.
One of the more original comedies to come out for a while, Ted is definitely not for the young ones but if they already watch Family Guy then this will be nothing new. I thought it was funnier than American Pie 4 and up there with The Inbetweeners Movie. A 7.5 out of 10, and a good laugh.
The voice of narrator Patrick Stewart tells us the story of John Bennett (Mark Wahlberg) who as a young boy made a Christmas wish that his bear Teddy could be a real friend.
As it always does, his wish is granted and Ted comes to life.
We flash forward some 27 years and John and Ted are still together ('thunder buddies for life' is their hilarious (wait and see it) bond) much to the frustration of John's girlfriend Lori (Mila Kunis).
Ted is far from the innocent child's play buddy he was when John was eight. He's now a surly, offensive, pot smoking ex-celebrity.
The last straw for Lori comes when Ted has invited four hookers over one night to party and one of them crosses many lines in what she is dared to do. I just can't bring myself to say what it is.
So Ted's forced to move out and get a job and his own apartment but the fact that John still spends so much time with him continues to gnaw at his relationship with Lori.
For extra plot we also meet Ted's girlfriend Tami Lynn (Jessica Barth) and a weird father (Giovanniu Ribisi)and son pair who want to buy Ted from John. They're responsible for a few pretty funny scenes.
Given what he produces with Family Guy, you know that Ted is a pretty lowbrow comedy but it is very funny and does have a heart. There's even a Peter Griffin reference and a rather hilarious uncredited cameo from Ryan Reynolds plus, oddly, singer Norah Jones.
I had pretty high expectations going into the film, because the trailer was just so funny, and it lived up to them. I wasn't blown away by it but there's enough here to keep you chuckling throughout most of the movie as well as several very, very funny scenes.
One of the more original comedies to come out for a while, Ted is definitely not for the young ones but if they already watch Family Guy then this will be nothing new. I thought it was funnier than American Pie 4 and up there with The Inbetweeners Movie. A 7.5 out of 10, and a good laugh.
Sunday, July 01, 2012
Turmoil
OK, this is going to be a bit personal.
I'm not really sure where I am at the moment, things are a bit strange. I could argue that some of it is not necessarily bad or unsettling, but it is significant.
It's been a while since I've experienced thoughts and feelings like I have recently (I should note, I'm not talking anything negative here) and not only has it come as a surprise it's causing a bit of turmoil.
That's an interesting word, really.
In some respects it's awesome that I can feel like this, for a long while I kind of felt numb or at least indifferent.
Perhaps getting off the anti-depressants, if only for a little while, was a good thing to do.
But the problem is that I don't know what to do with all this. And I don't know what I'm looking for, if anything at all.
Where should my energies be directed? I've spent a lot of time trying to work it out in my head and it just seems to get harder.
I have to say in one way all this is pretty great, if difficult to compartmentalise. I don't really do that, though, put things in different segments - perhaps that's another issue.
I think I'm rambling a bit now. In a way it's a good problem to have.
There are other side issues that need to be addressed, but I was hoping at least one or two of them would work themselves out naturally. Seemingly, though, this hasn't been the case.
So there are a couple of things in a bit of limbo and changes I'm in some ways ready to make but in other ways a fair way off considering. Perhaps July 1 isn't the day to be comprehending that.
I just wonder in what exciting direction this experience could take me....
I'm not really sure where I am at the moment, things are a bit strange. I could argue that some of it is not necessarily bad or unsettling, but it is significant.
It's been a while since I've experienced thoughts and feelings like I have recently (I should note, I'm not talking anything negative here) and not only has it come as a surprise it's causing a bit of turmoil.
That's an interesting word, really.
In some respects it's awesome that I can feel like this, for a long while I kind of felt numb or at least indifferent.
Perhaps getting off the anti-depressants, if only for a little while, was a good thing to do.
But the problem is that I don't know what to do with all this. And I don't know what I'm looking for, if anything at all.
Where should my energies be directed? I've spent a lot of time trying to work it out in my head and it just seems to get harder.
I have to say in one way all this is pretty great, if difficult to compartmentalise. I don't really do that, though, put things in different segments - perhaps that's another issue.
I think I'm rambling a bit now. In a way it's a good problem to have.
There are other side issues that need to be addressed, but I was hoping at least one or two of them would work themselves out naturally. Seemingly, though, this hasn't been the case.
So there are a couple of things in a bit of limbo and changes I'm in some ways ready to make but in other ways a fair way off considering. Perhaps July 1 isn't the day to be comprehending that.
I just wonder in what exciting direction this experience could take me....
Saturday, June 23, 2012
Snow White & The Huntsman
It was with about a medium amount of expectation that I viewed Snow White & The Huntsman and, unfortunately, I was still a little let down.
Continuing the modern habit of twisting the fairy tale around (see Red Riding Hood), we see Snow White (Kristen Stewart) escaping from her cell where the evil Queen Ravenna (Charlize Theron) has had her imprisoned since she was a child to set out and find her father's army to take her down.
See, Ravenna murdered the king (Noah Huntly) shortly after marrying him and proceeded to wreak havoc in his kingdom.
Ravenna's endless beauty comes from sucking the beauty out of younger people but once the Mirror tells her that Snow White is fairer than her she decides to kill her in order to have everlasting youth.
So, once Snow White has escaped she summons the Huntsman (Chris Hemsworth) to track her down in the Dark Forest (where she has no power) and bring her back to the castle. When he realises he has been tricked the Huntsman becomes her protector as she searches for Duke Hammond (Vincent Regan) and reclaims her rightful place as the princess and heir to the throne.
Snow White's young friend William (Sam Claflin) discovers she is alive and also heads out to bring her home, teaming up with the Queen's force to find her.
I had a few problems with this film.
First, I think Kristen Stewart was horribly miscast. She just looks almost exactly like Bella Swan from the Twilight movies so it is hard to see her as Snow White.
I expected more from Theron, I expected an evil queen along the lines of Anna from the updated V series - a villain that made your skin crawl. But Theron's Ravenna behaved like a spoiled brat and just did a lot of shouting. Pretty disappointed there because I love a good villain.
There were some good moments, particularly when Snow White meets the dwarfs and is taken into their fairy land. And, admittedly some of the action is pretty well done.
With regard to the original story - yes, we do hear 'Mirror, Mirror on the wall....' etc, there is a poison apple, seven dwarfs (though not with the traditional names), and a kiss that awakens Snow White.
I wouldn't say I was bored through the film but I certainly wasn't captivated. The soundtrack isn't bad but I think the biggest problem lies in the casting and the character of Ravenna. They should have opted away from two actors in massive franchises at the moment - Stewart, as mentioned, just looks like Bella, and Hemsworth is not that much unlike Thor (aside from the obvious hammer and costume).
I suspect there will be a sequel here and I think they are battling uphill if they think it will be better than this mediocre offering. A 6 out of 10. See it if you must but you're not missing anything if you don't.
Continuing the modern habit of twisting the fairy tale around (see Red Riding Hood), we see Snow White (Kristen Stewart) escaping from her cell where the evil Queen Ravenna (Charlize Theron) has had her imprisoned since she was a child to set out and find her father's army to take her down.
See, Ravenna murdered the king (Noah Huntly) shortly after marrying him and proceeded to wreak havoc in his kingdom.
Ravenna's endless beauty comes from sucking the beauty out of younger people but once the Mirror tells her that Snow White is fairer than her she decides to kill her in order to have everlasting youth.
So, once Snow White has escaped she summons the Huntsman (Chris Hemsworth) to track her down in the Dark Forest (where she has no power) and bring her back to the castle. When he realises he has been tricked the Huntsman becomes her protector as she searches for Duke Hammond (Vincent Regan) and reclaims her rightful place as the princess and heir to the throne.
Snow White's young friend William (Sam Claflin) discovers she is alive and also heads out to bring her home, teaming up with the Queen's force to find her.
I had a few problems with this film.
First, I think Kristen Stewart was horribly miscast. She just looks almost exactly like Bella Swan from the Twilight movies so it is hard to see her as Snow White.
I expected more from Theron, I expected an evil queen along the lines of Anna from the updated V series - a villain that made your skin crawl. But Theron's Ravenna behaved like a spoiled brat and just did a lot of shouting. Pretty disappointed there because I love a good villain.
There were some good moments, particularly when Snow White meets the dwarfs and is taken into their fairy land. And, admittedly some of the action is pretty well done.
With regard to the original story - yes, we do hear 'Mirror, Mirror on the wall....' etc, there is a poison apple, seven dwarfs (though not with the traditional names), and a kiss that awakens Snow White.
I wouldn't say I was bored through the film but I certainly wasn't captivated. The soundtrack isn't bad but I think the biggest problem lies in the casting and the character of Ravenna. They should have opted away from two actors in massive franchises at the moment - Stewart, as mentioned, just looks like Bella, and Hemsworth is not that much unlike Thor (aside from the obvious hammer and costume).
I suspect there will be a sequel here and I think they are battling uphill if they think it will be better than this mediocre offering. A 6 out of 10. See it if you must but you're not missing anything if you don't.
Saturday, June 16, 2012
Rock Of Ages
I know nothing about the stage show and how it translates to the screen but what I can say about Rock Of Ages is that it is damn good fun!
As far as plot goes it is your standard 'country girl comes to the big city looking for fame and falls for the first hot young guy she meets' story. Only it is set in 1987 and told through the words of classic 80s rock songs.
Sherrie (Julianne Hough) and Drew (Diego Bonita) are the young couple in question and their romance hits a rough patch when the legendary Stacee Jaxx (Tom Cruise) plays at the Bourbon Bar where they work.
The bar is run by an odd couple Dennis (Alec Baldwin) and Lonny (Russell Brand) while other notable actors include Bryan Cranston and Catherine Zeta-Jones as the mayor and his wife Patricia who are trying to rid LA of the 'strip' that the bar is on, and Paul Giammati as Jaxx's manager.
While the lead couple are competent it is the seasoned performers that shine through.
If you are a fan of 80s rock then you won't notice the plot, or lack thereof, and you'll be too busy singing along to the soundtrack of your youth. I know I was.
Here are some of the classics covered (and not badly in some cases) - Waiting For A Girl Like You (Foreigner), Wanted Dead Or Alive (Bon Jovi), Pour Some Sugar On Me (Def Leppard), Paradise City (Guns 'N' Roses), Nothing But A Good Time (Poison), Hit Me With Your Best Shot (Pat Benatar), I Love Rock 'N' Roll (Joan Jett), I Want To Know What Love Is (Foreigner), Can't Fight This Feeling (REO Speedwagon), Every Rose Has Its Thorn (Poison) and Don't Stop Believing (Journey). To name some.
I don't think I've had as much fun in a movie since I saw Hairspray, which was also made by Adam Shankman. There were a number of laugh out loud moments, one particular one featuring Baldwin and Brand, and the whole feel of the film was fun and frivolous.
There was one goof that slipped through - in an early scene in a Tower Records store Skid Row's 'I Remember You' is playing in the background....Skid Row's album wasn't released until 1989, two years after the scene was set. Having said that I love that song too so I didn't mind it being there.
So, great fun and 2 hours you will really enjoy. A 7.5 out of 10.
As far as plot goes it is your standard 'country girl comes to the big city looking for fame and falls for the first hot young guy she meets' story. Only it is set in 1987 and told through the words of classic 80s rock songs.
Sherrie (Julianne Hough) and Drew (Diego Bonita) are the young couple in question and their romance hits a rough patch when the legendary Stacee Jaxx (Tom Cruise) plays at the Bourbon Bar where they work.
The bar is run by an odd couple Dennis (Alec Baldwin) and Lonny (Russell Brand) while other notable actors include Bryan Cranston and Catherine Zeta-Jones as the mayor and his wife Patricia who are trying to rid LA of the 'strip' that the bar is on, and Paul Giammati as Jaxx's manager.
While the lead couple are competent it is the seasoned performers that shine through.
If you are a fan of 80s rock then you won't notice the plot, or lack thereof, and you'll be too busy singing along to the soundtrack of your youth. I know I was.
Here are some of the classics covered (and not badly in some cases) - Waiting For A Girl Like You (Foreigner), Wanted Dead Or Alive (Bon Jovi), Pour Some Sugar On Me (Def Leppard), Paradise City (Guns 'N' Roses), Nothing But A Good Time (Poison), Hit Me With Your Best Shot (Pat Benatar), I Love Rock 'N' Roll (Joan Jett), I Want To Know What Love Is (Foreigner), Can't Fight This Feeling (REO Speedwagon), Every Rose Has Its Thorn (Poison) and Don't Stop Believing (Journey). To name some.
I don't think I've had as much fun in a movie since I saw Hairspray, which was also made by Adam Shankman. There were a number of laugh out loud moments, one particular one featuring Baldwin and Brand, and the whole feel of the film was fun and frivolous.
There was one goof that slipped through - in an early scene in a Tower Records store Skid Row's 'I Remember You' is playing in the background....Skid Row's album wasn't released until 1989, two years after the scene was set. Having said that I love that song too so I didn't mind it being there.
So, great fun and 2 hours you will really enjoy. A 7.5 out of 10.
Sunday, June 10, 2012
Something new
Sitting there waiting, watching the clock
Thoughts swirling, stomach calm but mind racing
That must mean something....
Wonder has won the battle
In truth there wasn't really a fight
This is something new and something special
Something undefined, something with potential
I wasn't looking for anything
But I found what I could have been looking for
What it is doesn't matter right now
What it could be does
What do I want it to be?
Thoughts swirling, stomach calm but mind racing
That must mean something....
Wonder has won the battle
In truth there wasn't really a fight
This is something new and something special
Something undefined, something with potential
I wasn't looking for anything
But I found what I could have been looking for
What it is doesn't matter right now
What it could be does
What do I want it to be?
Sunday, May 27, 2012
Farewell One Tree Hill
It's the show I named the blog after so I had better offer comment on the series' final season, which I finished watching back in April.
One Tree Hill isn't a show that was given much air time here in Australia and I wound up watching it on the net over the final three seasons. If the many TV channels here can't find a spot for it I was always going to watch it however I could.
Now the show could have wrapped up happily after the sixth season when Lucas and Peyton, OTH's two central characters by this stage, drove off into the sunset.
But it pressed on and evolved and managed to remain fresh. Though it took a little while.
I was pleased when they finished up season 8 and announced it would return for a final season - not a lot of shows are given the chance to finish on their own terms.
We saw a few characters return during the course of season 9 - Chris Keller, who I always hated because he spoke in the third person far too much, Dan Scott had a much larger role, Deb also bobbed up and even Lucas made what I viewed as a wasted cameo for an episode.
The central plot of Nathan's kidnapping was far fetched but, then again, it is a soap and if I had a problem with that then why didn't I give up around the time of Peyton's crazy stalker who pretended to be her brother?
In a way I think the final time jump was unnecessary - I didn't need to know that Jamie would become a champion basketballer (he certainly grew a couple of feet as a teenager!) but going back to the start (with basketball the central focus) worked well all season so why not finish off the same way.
Music has always been central to the show and it was a nice touch that Gavin Degraw came back to sing I Don't Want To Be (the show's theme) in the final episode - repeating his appearance in the very first where he also performed the song.
Few shows can last nine seasons, especially the teen-type series. Look at similar shows - The OC (4 seasons), Dawson's Creek (6 seasons) - they haven't made it nearly as far and that is a credit to Mark Schwahn and how he has continually reinvented it. Sure, it did miss Lucas and Peyton in the last couple of seasons and I would have liked to have seen Rachel return one more time but I'm very glad I came across One Tree Hill.
It was time well spent.
One Tree Hill isn't a show that was given much air time here in Australia and I wound up watching it on the net over the final three seasons. If the many TV channels here can't find a spot for it I was always going to watch it however I could.
Now the show could have wrapped up happily after the sixth season when Lucas and Peyton, OTH's two central characters by this stage, drove off into the sunset.
But it pressed on and evolved and managed to remain fresh. Though it took a little while.
I was pleased when they finished up season 8 and announced it would return for a final season - not a lot of shows are given the chance to finish on their own terms.
We saw a few characters return during the course of season 9 - Chris Keller, who I always hated because he spoke in the third person far too much, Dan Scott had a much larger role, Deb also bobbed up and even Lucas made what I viewed as a wasted cameo for an episode.
The central plot of Nathan's kidnapping was far fetched but, then again, it is a soap and if I had a problem with that then why didn't I give up around the time of Peyton's crazy stalker who pretended to be her brother?
In a way I think the final time jump was unnecessary - I didn't need to know that Jamie would become a champion basketballer (he certainly grew a couple of feet as a teenager!) but going back to the start (with basketball the central focus) worked well all season so why not finish off the same way.
Music has always been central to the show and it was a nice touch that Gavin Degraw came back to sing I Don't Want To Be (the show's theme) in the final episode - repeating his appearance in the very first where he also performed the song.
Few shows can last nine seasons, especially the teen-type series. Look at similar shows - The OC (4 seasons), Dawson's Creek (6 seasons) - they haven't made it nearly as far and that is a credit to Mark Schwahn and how he has continually reinvented it. Sure, it did miss Lucas and Peyton in the last couple of seasons and I would have liked to have seen Rachel return one more time but I'm very glad I came across One Tree Hill.
It was time well spent.
What else is out there?
I'm sure it is a question that everyone ponders at some stage - is there more? What else could/should I be doing?
For want of a better term, my 'mojo' took a bit of a hit this last week and it has left me thinking about where things stand at the moment.
I'm not going to rush out and make significant changes or anything like that, a lot of things still stand - I love my job and everything it allows me to do, but outside of that I am wondering where I'm headed.
Part of having the type of job I do is you have a lot of exposure to the gambling industry and at times this has tripped me up. After taking three months off gambling (and only slipping up slightly a couple of times) I know that I can survive without having a bet. But, like any habit, it is difficult to rein it in (pun sort of intended).
I do enjoy going to the movies and, possibly due to there being not a lot of interesting films around, I'm a bit down on the number I've seen approaching the halfway mark in the year.
I managed to go for a swim yesterday and quite enjoyed it and I know I haven't been as regular in taking my ipod for a walk ;-) lately. Though I am happy to say the gym doesn't hold as many fears as it used to, it is still a very intimidating place but I'm able to go.
I still feel the need to protect myself, in a way, though and that can be restrictive. Nowhere near as much as a few years back, I should say.
I think a bit of the problem, in general terms, is focus. I can be easily distracted at times and perhaps that is the first step.
For want of a better term, my 'mojo' took a bit of a hit this last week and it has left me thinking about where things stand at the moment.
I'm not going to rush out and make significant changes or anything like that, a lot of things still stand - I love my job and everything it allows me to do, but outside of that I am wondering where I'm headed.
Part of having the type of job I do is you have a lot of exposure to the gambling industry and at times this has tripped me up. After taking three months off gambling (and only slipping up slightly a couple of times) I know that I can survive without having a bet. But, like any habit, it is difficult to rein it in (pun sort of intended).
I do enjoy going to the movies and, possibly due to there being not a lot of interesting films around, I'm a bit down on the number I've seen approaching the halfway mark in the year.
I managed to go for a swim yesterday and quite enjoyed it and I know I haven't been as regular in taking my ipod for a walk ;-) lately. Though I am happy to say the gym doesn't hold as many fears as it used to, it is still a very intimidating place but I'm able to go.
I still feel the need to protect myself, in a way, though and that can be restrictive. Nowhere near as much as a few years back, I should say.
I think a bit of the problem, in general terms, is focus. I can be easily distracted at times and perhaps that is the first step.
Friday, May 25, 2012
Shame
I saw Shame a few months ago but didn't get around to doing a review.
Let me start by saying this isn't for everyone, it's a movie about addiction - sex addiction in this case - and it is graphic at times (I don't just mean in terms of sex).
It focuses on Brandon (Michael Fassbender), a New York professional whose life is dictated by his sex addiction. He is actively distracted by the need to engage in pretty much any kind of sexual activity, he's not against paying for it and he'll shell out for a hotel room if need be. He looks at porn on his work computer and, at one point, goes to a place where he knows he'll get what he wants after almost being beaten to death by the boyfriend of a woman he's trying to seduce (rather disgustingly I might add).
His carefully constructed life is disrupted when his sister Sissy (Carey Mulligan) arrives on his doorstep unannounced (though you do note that she calls him a number of times but he ignores the phone) with her life in tatters.
Some of the graphic nature I refer to can be seen in his utter disinterest in his sister's plight and his disgust in her presence getting in the way of his 'pursuits'.
This doesn't sound like a great movie, does it? Well, you've got to look deeper.
Fassbender is remarkable in this film, his detachment is scary and while the subject matter is what it is, you can easily transfer it to other types of addiction.
Carey Mulligan is also excellent, Sissy is troubled in different ways and unlike her brother she is aware of the emotional connection that sex implies (to most people). Ironically, this is what causes her a lot of problems.
The two actors have to carry the film (particularly Fassbender) and while it's not easy viewing it is a very compelling, sometimes dire, examination of addition and its ramifications. The final scene is stunning as well.
While I couldn't say 'rush out and see this' I'll say it will probably be in my top 5 at the end of the year. An 8.5 out of 10.
Let me start by saying this isn't for everyone, it's a movie about addiction - sex addiction in this case - and it is graphic at times (I don't just mean in terms of sex).
It focuses on Brandon (Michael Fassbender), a New York professional whose life is dictated by his sex addiction. He is actively distracted by the need to engage in pretty much any kind of sexual activity, he's not against paying for it and he'll shell out for a hotel room if need be. He looks at porn on his work computer and, at one point, goes to a place where he knows he'll get what he wants after almost being beaten to death by the boyfriend of a woman he's trying to seduce (rather disgustingly I might add).
His carefully constructed life is disrupted when his sister Sissy (Carey Mulligan) arrives on his doorstep unannounced (though you do note that she calls him a number of times but he ignores the phone) with her life in tatters.
Some of the graphic nature I refer to can be seen in his utter disinterest in his sister's plight and his disgust in her presence getting in the way of his 'pursuits'.
This doesn't sound like a great movie, does it? Well, you've got to look deeper.
Fassbender is remarkable in this film, his detachment is scary and while the subject matter is what it is, you can easily transfer it to other types of addiction.
Carey Mulligan is also excellent, Sissy is troubled in different ways and unlike her brother she is aware of the emotional connection that sex implies (to most people). Ironically, this is what causes her a lot of problems.
The two actors have to carry the film (particularly Fassbender) and while it's not easy viewing it is a very compelling, sometimes dire, examination of addition and its ramifications. The final scene is stunning as well.
While I couldn't say 'rush out and see this' I'll say it will probably be in my top 5 at the end of the year. An 8.5 out of 10.
Thursday, May 24, 2012
Slight retreat
I gave it a go and I'm going to have to make a retreat.
After about 10 days off the anti-depressants I'm going back on them, at a lower dose, because I think that I went off them too fast and the body hasn't appreciated it.
Feeling a bit crummy from time to time, stomach upsets and a spacey kind of feeling are telling me that perhaps I was premature in tapering off them. There's a chance that it's not related but it is too much of a coincidence that I can't ignore it as a possibility.
Of course, there is the thought in the back of my head that there could be a relapse of the Crohn's Disease about to happen....I know I've had that fear before and it never eventuated, and at this stage it is only a small possibility.
I don't mind going back on the tablets for a while, perhaps I do need them though I didn't like taking them.
My hope now is that things settle back down shortly, the longer things go on the more uneasy it would make me.
I was proud of myself for getting off them, and I still am, but in hindsight a bit more consultation with the GP or chemist might have been wise.
After about 10 days off the anti-depressants I'm going back on them, at a lower dose, because I think that I went off them too fast and the body hasn't appreciated it.
Feeling a bit crummy from time to time, stomach upsets and a spacey kind of feeling are telling me that perhaps I was premature in tapering off them. There's a chance that it's not related but it is too much of a coincidence that I can't ignore it as a possibility.
Of course, there is the thought in the back of my head that there could be a relapse of the Crohn's Disease about to happen....I know I've had that fear before and it never eventuated, and at this stage it is only a small possibility.
I don't mind going back on the tablets for a while, perhaps I do need them though I didn't like taking them.
My hope now is that things settle back down shortly, the longer things go on the more uneasy it would make me.
I was proud of myself for getting off them, and I still am, but in hindsight a bit more consultation with the GP or chemist might have been wise.
Monday, May 14, 2012
Confirmation
It's always good to get the news you were expecting, but also there's a sense of relief regardless of how certain you are of the outcome.
So with confirmation that all is good I move forward.
The success of the next step will be known in a day or two but, again, I don't anticipate any dramas there. The tapering has been working well and I'm basically taking nothing now as it is so the body isn't going to start missing it now.
I'm kinda proud of myself.
So with confirmation that all is good I move forward.
The success of the next step will be known in a day or two but, again, I don't anticipate any dramas there. The tapering has been working well and I'm basically taking nothing now as it is so the body isn't going to start missing it now.
I'm kinda proud of myself.
Sunday, May 13, 2012
Moments of truth
I have a few things happening this week that could prove to be interesting and potentially dramatic.
This will be the week that I farewell the anti-depressant drugs I've had to take for the best part of seven years having successfully tapered down to 1/8th of what I was on a few months back.
One more step and that will be taken in two days.
I'm not a novice when it comes to getting test results either and I have some coming up this week also that I'm not overly concerned about but it is still nice to get the all clear.
I don't want to sound overconfident. But I'm certainly not as concerned as I was the night before getting my big diagnosis when all I could think was ''what if I have cancer?''.
Wish me luck.....
This will be the week that I farewell the anti-depressant drugs I've had to take for the best part of seven years having successfully tapered down to 1/8th of what I was on a few months back.
One more step and that will be taken in two days.
I'm not a novice when it comes to getting test results either and I have some coming up this week also that I'm not overly concerned about but it is still nice to get the all clear.
I don't want to sound overconfident. But I'm certainly not as concerned as I was the night before getting my big diagnosis when all I could think was ''what if I have cancer?''.
Wish me luck.....
Thursday, April 26, 2012
The Avengers
After many years of build up we finally arrive at The Avengers and the wait has been well and truly worth it.
Those who saw Thor would be aware of the ambitions of Loki (Tom Hiddleston) to be worshipped and seen as a ruler to be feared, well he gives it a red hot go and serves as the catalyst for Nick Fury (Samuel L Jackson) to bring together The Avengers.
The opening reunites us with a few characters from Thor, notably Hawkeye (Jeremy Renner) and Professor Selvig (Stellan Skarsgard) who are effectively brainwashed by Loki into joining him.
The call goes out to assemble the motley crew that is the Avengers - Iron Man (Robert Downey Jr), Black Widow (Scarlett Johannsen), Captain America (Chris Evans) and The Hulk (Mark Ruffalo). Thor (Chris Hemsworth) arrives from Asgard in pursuit of Loki and joins the team.
There's a bit of get-to-know you clashes between the supposed allies before we get down to the business of working out how to stop Loki from opening a portal and allowing all manner of alien attacks happen.
(A quick aside - it's a real shame that Mark Ruffalo didn't get an opportunity to be Bruce Banner in a Hulk film, he has a lap on both Bana and Norton's versions).
That's the plot, now some general comments.
It's not an easy thing to bring together so many exceptional characters, and big characters, and give them depth as well and even though most had their own movies so we can get to know them the filmmakers don't assume the audience automatically knows everything.
How much better could, say, Spider Man 3 been if they'd taken the time to make the villains a bit more three dimensional?
We don't have that problem in the Avengers and I'd say it is largely because of the involvement of Joss Whedon (Buffy among others). He's made an intelligent, witty and humourous film that features some amazing action sequences and he's brought out the best in, admittedly, some very talented actors.
Jeremy Renner is fast becoming a favourite of mine and Chris Evans was born to be Captain America. Scarlett, well, she's just spectacular!
What he has done is, in my view, established a new benchmark for the super hero/comic book genre - and yes that includes Chris Nolan's Batman films.
Take a bow Joss Whedon. No, check that. Take two bows. This is just brilliant and lives right up to everything it promised.
Naturally this is a franchise so there is an extra scene pointing us in a direction for the future. What we do know is Iron Man 3 and Thor 2 are on the way as well, likely before we get to an Avengers 2.I say bring them all on.
A very solid 9 out of 10.
Those who saw Thor would be aware of the ambitions of Loki (Tom Hiddleston) to be worshipped and seen as a ruler to be feared, well he gives it a red hot go and serves as the catalyst for Nick Fury (Samuel L Jackson) to bring together The Avengers.
The opening reunites us with a few characters from Thor, notably Hawkeye (Jeremy Renner) and Professor Selvig (Stellan Skarsgard) who are effectively brainwashed by Loki into joining him.
The call goes out to assemble the motley crew that is the Avengers - Iron Man (Robert Downey Jr), Black Widow (Scarlett Johannsen), Captain America (Chris Evans) and The Hulk (Mark Ruffalo). Thor (Chris Hemsworth) arrives from Asgard in pursuit of Loki and joins the team.
There's a bit of get-to-know you clashes between the supposed allies before we get down to the business of working out how to stop Loki from opening a portal and allowing all manner of alien attacks happen.
(A quick aside - it's a real shame that Mark Ruffalo didn't get an opportunity to be Bruce Banner in a Hulk film, he has a lap on both Bana and Norton's versions).
That's the plot, now some general comments.
It's not an easy thing to bring together so many exceptional characters, and big characters, and give them depth as well and even though most had their own movies so we can get to know them the filmmakers don't assume the audience automatically knows everything.
How much better could, say, Spider Man 3 been if they'd taken the time to make the villains a bit more three dimensional?
We don't have that problem in the Avengers and I'd say it is largely because of the involvement of Joss Whedon (Buffy among others). He's made an intelligent, witty and humourous film that features some amazing action sequences and he's brought out the best in, admittedly, some very talented actors.
Jeremy Renner is fast becoming a favourite of mine and Chris Evans was born to be Captain America. Scarlett, well, she's just spectacular!
What he has done is, in my view, established a new benchmark for the super hero/comic book genre - and yes that includes Chris Nolan's Batman films.
Take a bow Joss Whedon. No, check that. Take two bows. This is just brilliant and lives right up to everything it promised.
Naturally this is a franchise so there is an extra scene pointing us in a direction for the future. What we do know is Iron Man 3 and Thor 2 are on the way as well, likely before we get to an Avengers 2.I say bring them all on.
A very solid 9 out of 10.
Monday, April 23, 2012
Tapering
I think I'm on my third or fourth attempt at tapering off the anti-depressants I've been using for almost seven years now.
It seems like longer in some respects. Then again you get so used to taking them they become just a part of the routine.
But that's the important thing - routine. It's imperative that things change in that area. it is all well and good to have a routine, or series of habits, but you can't get too comfortable.
For a while now it has been on my radar that some things need to change. Certainly in the last six to nine months I have done some things differently, had some new experiences and taken a few more risks.
Some of those risks have been worthwhile, others have not been so successful.
I also went through an extended period of restraining from gambling. I did that with a fair degree of success though did begin to slip up towards the end. It was still a win, pun kind of intended.
The anti-depressants are a crutch in a way but at the same time they are a burden.
They make you feel nothing. Well, more to the point they have you in perpetual state of 'meh'. That gets frustrating.
One of the changes I am proud of is being able to make at least a semi-regular commitment to going to the gym. I certainly have noticed the difference and I think it has contributed a fair bit towards getting as far along with the tapering that I have to date.
I am half way there. For the first time in my attempts of reduction I have made it to the half way mark and while I am experiencing a bit of the headache-type withdrawl symptoms they aren't too bad at this stage. I figure if I can get through another week or so I might be ready to make a further reduction and then the finish line will be in sight.
I definitely feel some benefits from being on the reduced amount....the 'meh' feeling isn't so pronounced but I have to be wary that I need to be vigilant in keeping up the natural production of serotonin.
It will be an achievement of no small amount when I reach the goal of being anti-depressant free.
It seems like longer in some respects. Then again you get so used to taking them they become just a part of the routine.
But that's the important thing - routine. It's imperative that things change in that area. it is all well and good to have a routine, or series of habits, but you can't get too comfortable.
For a while now it has been on my radar that some things need to change. Certainly in the last six to nine months I have done some things differently, had some new experiences and taken a few more risks.
Some of those risks have been worthwhile, others have not been so successful.
I also went through an extended period of restraining from gambling. I did that with a fair degree of success though did begin to slip up towards the end. It was still a win, pun kind of intended.
The anti-depressants are a crutch in a way but at the same time they are a burden.
They make you feel nothing. Well, more to the point they have you in perpetual state of 'meh'. That gets frustrating.
One of the changes I am proud of is being able to make at least a semi-regular commitment to going to the gym. I certainly have noticed the difference and I think it has contributed a fair bit towards getting as far along with the tapering that I have to date.
I am half way there. For the first time in my attempts of reduction I have made it to the half way mark and while I am experiencing a bit of the headache-type withdrawl symptoms they aren't too bad at this stage. I figure if I can get through another week or so I might be ready to make a further reduction and then the finish line will be in sight.
I definitely feel some benefits from being on the reduced amount....the 'meh' feeling isn't so pronounced but I have to be wary that I need to be vigilant in keeping up the natural production of serotonin.
It will be an achievement of no small amount when I reach the goal of being anti-depressant free.
Monday, February 20, 2012
Neglect
For whatever reason it's been a while since I've posted a review or anything else here.
I've given a bit of thought to removing the blog but I'm thinking at the moment to keep going and perhaps to try to be a bit more regular than just a movie review.
I did have a couple of weeks there without the internet due to what turned out to be a faulty modem.
So, watch this space....I guess.
I've given a bit of thought to removing the blog but I'm thinking at the moment to keep going and perhaps to try to be a bit more regular than just a movie review.
I did have a couple of weeks there without the internet due to what turned out to be a faulty modem.
So, watch this space....I guess.
Sunday, January 15, 2012
The Muppets

There really aren't any great surprises in the first Muppet movie since 1999, The Muppets , but that's quite okay because it is familiarity that is at the heart of the movie.
Gary (Jason Segal) and his 'brother' Walter (Peter Linz) have grown up together and are inseparable, a little to the disappointment of Gary's 10-year girlfriend Mary (Amy Adams).
Walter has never felt that he fitted in and it is only when he sees The Muppet Show for the first time that he finally finds something that gives him a sense of belonging. He also idolises Kermit.
Gary, Mary and Walter travel to LA to see take the Muppet Theatre tour only to find that it has been run down and on the verge of closure at the hands of an evil oil tycoon Tex Richman (Chris Cooper).
The trio set out to find Kermit and with their help our favourite frog sets out to reform the muppets and raise $10 million to save the theatre.
There are heaps of cheesy songs, nods to previous Muppet movies, celebrity cameos (including an hilarious one by Jim Reynolds, who is best known as Sheldon from the Big Bang Theory) and, of course, the Manah Manah song.
I think while this will appeal a bit to kids it will certainly resonate with the big kids, such as myself, who grew up when the muppets were massive. What this movie shows is that they still are and, really, the wholesome brand of humour is what's missing in the world in 2012.
You'll have a great time and guaranteed to have a laugh and leave the cinema feeling good. That's what the Muppets are all about.
A 7.5 out of 10.
Gary (Jason Segal) and his 'brother' Walter (Peter Linz) have grown up together and are inseparable, a little to the disappointment of Gary's 10-year girlfriend Mary (Amy Adams).
Walter has never felt that he fitted in and it is only when he sees The Muppet Show for the first time that he finally finds something that gives him a sense of belonging. He also idolises Kermit.
Gary, Mary and Walter travel to LA to see take the Muppet Theatre tour only to find that it has been run down and on the verge of closure at the hands of an evil oil tycoon Tex Richman (Chris Cooper).
The trio set out to find Kermit and with their help our favourite frog sets out to reform the muppets and raise $10 million to save the theatre.
There are heaps of cheesy songs, nods to previous Muppet movies, celebrity cameos (including an hilarious one by Jim Reynolds, who is best known as Sheldon from the Big Bang Theory) and, of course, the Manah Manah song.
I think while this will appeal a bit to kids it will certainly resonate with the big kids, such as myself, who grew up when the muppets were massive. What this movie shows is that they still are and, really, the wholesome brand of humour is what's missing in the world in 2012.
You'll have a great time and guaranteed to have a laugh and leave the cinema feeling good. That's what the Muppets are all about.
A 7.5 out of 10.
A better life
When I was a teenager I'd often wonder what other people's lives were like as I walked past houses, particularly ones that looked better than mine.
I also daydreamed about living in the USA, I'd imagined that over there a better life was certain. That idea largely came from the fact that my TV died comprised a lot of American dramas - 90210, Party Of Five etc.
I think that wondering has stayed with me because I still look at other people and surmise that their lives must be better. Sure that is a very superficial assessment.
I don't have it bad. In fact I'm sure that there are a whole heap of people who would like to have had the opportunities that I have.
Small comfort, sometimes, though.
Then I think, what would it be like now if I had done some things differently. What if I'd decided to start working out when I was 16?
What if I had gone to a different university and done a different course? (That one would change things considerably I would suggest, but I have to say I do enjoy my job!).
I could keep listing questions and dwelling over possible 'sliding doors' moments. It won't get me anywhere.
If I want things to change I have to instigate them, take control of where I am heading as best as one can.
At least then I can't sit back and wonder what might have been.....
I also daydreamed about living in the USA, I'd imagined that over there a better life was certain. That idea largely came from the fact that my TV died comprised a lot of American dramas - 90210, Party Of Five etc.
I think that wondering has stayed with me because I still look at other people and surmise that their lives must be better. Sure that is a very superficial assessment.
I don't have it bad. In fact I'm sure that there are a whole heap of people who would like to have had the opportunities that I have.
Small comfort, sometimes, though.
Then I think, what would it be like now if I had done some things differently. What if I'd decided to start working out when I was 16?
What if I had gone to a different university and done a different course? (That one would change things considerably I would suggest, but I have to say I do enjoy my job!).
I could keep listing questions and dwelling over possible 'sliding doors' moments. It won't get me anywhere.
If I want things to change I have to instigate them, take control of where I am heading as best as one can.
At least then I can't sit back and wonder what might have been.....
Friday, January 13, 2012
Sherlock Holmes: A Game Of Shadows

Sequel-itis strikes again despite the best efforts of a few cast members in Sherlock Holmes: A Game Of Shadows which simply goes too far trying to top what was a very entertaining 'original'.
As shown at the end of the first film, Holmes' foe in this sequel is the evil genius Professor Moriarty (Jared Harris) and he is really one of the stand out performances in the film, alongside Jude Law's Dr Watson.
In true Robert Downey Jr style, Holmes hijacks Watson's stag party and wedding, and honeymoon, in the name of pursuing Moriarty and solving his case.
The trouble is, in this context it really didn't work for me like it has in other films. Holmes is a detective, not a common street thug. And while some of his insightful fight scenes were interesting in the first film I thought the inflated number of fight scenes was excessive for someone whose real talent is in his mind.
Along for the ride is Noomi Rapace (from the original Dragon Tattoo movies) as a gypsy Simza who is drawn into the hunt for Moriarty.
There are entertaining elements to this film, don't get me wrong. But I went in expecting some development from the first one and it was just a mish-mash of fights and Holmes pestering the life out of Watson - though their bromance was pretty clearly highlighted.
The chess scene towards the end with Holmes and Moriarty was an example of the type of psychological battles the two enemies have and there wasn't nearly enough of that with the writers resorting to mindless, though well choreographed, action.
Stephen Fry, as Moycroft Holmes, does supply a few comedic moments, albeit one rather embarrassing one included, but overall the film was disappointing.
SPOILER!
Given that Watson types The End on his manuscript at the end of the film, to also signal the film is finished, Holmes types a ? leading us all to believe another sequel will be on the way. I know they do this in just about every film series (I'm surprised they didn't try it with Harry Potter just to keep the franchise going) but it was unnecessary.
A 6 out of 10.
As shown at the end of the first film, Holmes' foe in this sequel is the evil genius Professor Moriarty (Jared Harris) and he is really one of the stand out performances in the film, alongside Jude Law's Dr Watson.
In true Robert Downey Jr style, Holmes hijacks Watson's stag party and wedding, and honeymoon, in the name of pursuing Moriarty and solving his case.
The trouble is, in this context it really didn't work for me like it has in other films. Holmes is a detective, not a common street thug. And while some of his insightful fight scenes were interesting in the first film I thought the inflated number of fight scenes was excessive for someone whose real talent is in his mind.
Along for the ride is Noomi Rapace (from the original Dragon Tattoo movies) as a gypsy Simza who is drawn into the hunt for Moriarty.
There are entertaining elements to this film, don't get me wrong. But I went in expecting some development from the first one and it was just a mish-mash of fights and Holmes pestering the life out of Watson - though their bromance was pretty clearly highlighted.
The chess scene towards the end with Holmes and Moriarty was an example of the type of psychological battles the two enemies have and there wasn't nearly enough of that with the writers resorting to mindless, though well choreographed, action.
Stephen Fry, as Moycroft Holmes, does supply a few comedic moments, albeit one rather embarrassing one included, but overall the film was disappointing.
SPOILER!
Given that Watson types The End on his manuscript at the end of the film, to also signal the film is finished, Holmes types a ? leading us all to believe another sequel will be on the way. I know they do this in just about every film series (I'm surprised they didn't try it with Harry Potter just to keep the franchise going) but it was unnecessary.
A 6 out of 10.
Friday, January 06, 2012
The Iron Lady

A lot has already been said about the performance of Meryl Streep in The Iron Lady and the only thing I can add is to say it is one of the most stirring performances I have seen in a film.
It can't be easy to portray such a famous, real life, person but Streep is simply stunning as former British Prime Minister Margaret Thatcher, dubbed the Iron Lady because of her tough approach to tackling the man's game of politics.
Given that during Thatcher's 11 years as PM I was between the ages of 4 and 15, or thereabouts, I don't have an intimate personal understanding of how the world saw her. So other than knowing who she is - first female PM, etc - I didn't have any strong feeling either way about her.
However, I am aware that she was a leader that polarised people. You either loved her or hated her.
I think this may have helped because it is one of the finest films I have seen in a number of years.
But it isn't an easy ride. Thatcher is presented at the beginning as an aging, possibly dementia-ridden, powerless woman and it is quite sad, knowing who she is, to watch her struggle.
It is as the elderly Thatcher that Streep will just knock you out. While as a younger woman it is obvious that it is Streep playing the role but there are times when you have to double take looking at the elder version. And she nails her voice.
Her story, her rise to power in the UK, is told in flashbacks. And she is always accompanied by her late husband Denis (Jim Broadbent) who she hasn't been able to let go of emotionally.
While the film wasn't perfect I think that Streep's presence and portrayal really make you see past any flaw it may have. Really, though, the only thing I felt was missing was that bit at the end of the film, when the movie is about a real person, that tells you a bit of real life context.
I know there may have been some great performances in the lead up to the Oscars but, really, if Meryl Streep doesn't win best actress then the Academy is a joke.
She embodied everything in a 'best actress' turn - she consumed the role, she commanded your attention and she made you feel something (whether positive or negative) about the character. And she was flawless.
Bravo, Meryl. A 9 out of 10.
It can't be easy to portray such a famous, real life, person but Streep is simply stunning as former British Prime Minister Margaret Thatcher, dubbed the Iron Lady because of her tough approach to tackling the man's game of politics.
Given that during Thatcher's 11 years as PM I was between the ages of 4 and 15, or thereabouts, I don't have an intimate personal understanding of how the world saw her. So other than knowing who she is - first female PM, etc - I didn't have any strong feeling either way about her.
However, I am aware that she was a leader that polarised people. You either loved her or hated her.
I think this may have helped because it is one of the finest films I have seen in a number of years.
But it isn't an easy ride. Thatcher is presented at the beginning as an aging, possibly dementia-ridden, powerless woman and it is quite sad, knowing who she is, to watch her struggle.
It is as the elderly Thatcher that Streep will just knock you out. While as a younger woman it is obvious that it is Streep playing the role but there are times when you have to double take looking at the elder version. And she nails her voice.
Her story, her rise to power in the UK, is told in flashbacks. And she is always accompanied by her late husband Denis (Jim Broadbent) who she hasn't been able to let go of emotionally.
While the film wasn't perfect I think that Streep's presence and portrayal really make you see past any flaw it may have. Really, though, the only thing I felt was missing was that bit at the end of the film, when the movie is about a real person, that tells you a bit of real life context.
I know there may have been some great performances in the lead up to the Oscars but, really, if Meryl Streep doesn't win best actress then the Academy is a joke.
She embodied everything in a 'best actress' turn - she consumed the role, she commanded your attention and she made you feel something (whether positive or negative) about the character. And she was flawless.
Bravo, Meryl. A 9 out of 10.
Tuesday, January 03, 2012
Tower Heist

You don't realise just how ridiculous the idea of robbing someone of $20 million is until you see Tower Heist .
Sure movies like the Oceans series suggest it can be done but we're talking about a bunch of disgruntled former hotel employees and a petty thief trying to access a safe in a penthouse which is guarded by the FBI.
But that's what Josh Kovacs (Ben Stiller) decides to do when billionaire Arthur Shaw (Alan Alda) squanders all of the employees' pension fund.
With a motley crew of accomplices - a con Slide (Eddie Murphy), his brother-in-law Charlie (Casey Affleck), failed investor Mr Fitzhugh (Matthew Broderick), ex Burger King employee Enrique (Michael Pena) and Jamaican maid Odessa (Gabourey Sidibe) - they attempt to steal back the money they are owed.
Also caught up in the madness is Agent Claire Denham (Tea Leoni), who inadvertently gives Kovacs the idea to rob Shaw.
Reality pretty much has to be left at the door when you walk in but it is a pretty fun ride.
Stiller is in his element here, he's not trying to be an outrageous character. In fact, he's pretty much the straight man once Murphy is involved.
It's an interesting bunch of casting as well but it seems to gel, with Matthew Broderick playing a bit of a Ferris Bueller all grown up but now bankrupt character.
There are several quite amazing scenes and in one particular scene all I could think is 'there is no way anyone could get away with this is real life'. Anyway, if you're looking for a bit of light hearted escapism then this isn't a bad one. A 7 out of 10.
Sure movies like the Oceans series suggest it can be done but we're talking about a bunch of disgruntled former hotel employees and a petty thief trying to access a safe in a penthouse which is guarded by the FBI.
But that's what Josh Kovacs (Ben Stiller) decides to do when billionaire Arthur Shaw (Alan Alda) squanders all of the employees' pension fund.
With a motley crew of accomplices - a con Slide (Eddie Murphy), his brother-in-law Charlie (Casey Affleck), failed investor Mr Fitzhugh (Matthew Broderick), ex Burger King employee Enrique (Michael Pena) and Jamaican maid Odessa (Gabourey Sidibe) - they attempt to steal back the money they are owed.
Also caught up in the madness is Agent Claire Denham (Tea Leoni), who inadvertently gives Kovacs the idea to rob Shaw.
Reality pretty much has to be left at the door when you walk in but it is a pretty fun ride.
Stiller is in his element here, he's not trying to be an outrageous character. In fact, he's pretty much the straight man once Murphy is involved.
It's an interesting bunch of casting as well but it seems to gel, with Matthew Broderick playing a bit of a Ferris Bueller all grown up but now bankrupt character.
There are several quite amazing scenes and in one particular scene all I could think is 'there is no way anyone could get away with this is real life'. Anyway, if you're looking for a bit of light hearted escapism then this isn't a bad one. A 7 out of 10.
Monday, January 02, 2012
The 2011 Raymo Awards
It's that time again and in 2011 I saw a total of 40 films at the movies, and I have to say that the overall quality was very good.
We had three 9/10s, one 8.5 and 11 8/10s so that's pretty good. There were also a few very low scores with eight scored of 6.5 or lower (down to a 2/10).
A bit like in 2010, the real highlights came in some stunning performances, particularly from Ryan Gosling who as far as I'm concerned put in two five-star efforts in two very different films. Anyway, here is my 2011 in review....
1. 127 Hours
This is the true story of adventurer Aron Ralston who was forced to sever his arm to free himself from being trapped in a cave. It's in some ways a gruesome tale but a brilliant performance by James Franco as Ralston keeps you fixated on the story. It was a believable portrayal of a story that is both shocking and inspiring. A narrow, but deserved, winner.
2. The King's Speech
This was actually the first film I saw in 2011. The story of King George VI (father of Queen Elizabeth) and his struggle with public speaking due to a rather embarrassing stutter and the man who helps him overcome it. Again, a great cast with Colin Firth, Geoffrey Rush and Helena Bonham Carter and also Guy Pearce. At the start of last year I raved about this as the likely film of the year but it has been topped, just, by Franco's star turn.
3. Rise Of The Planet Of The Apes
Another one with James Franco as the star. He plays a scientist working on a cure for Alzheimer's, in order to cure his father (John Lithgow) of the disease. His treatment, when tested on apes, has surprising results but also grave ramifications for the population. This prequel to Planet Of The Apes was one of the surprises of the year for me, having been underwhelmed by the remake of the original a few years back. Franco is again excellent and Lithgow, as usual, is a scene stealer. Loved it and clearly one of the best of the year.
4. Unstoppable
When I looked back through my ratings I was surprised that this one made the top five but it is better than the average of its type of film. With Denzel Washington and Chris Pine, this one carried a pretty simple premise - runaway train heading for disaster - but was so well executed it was riveting and the two stars were magnetic. With a soundtrack that kept up the tension it was one of the more enjoyable movie experiences.
5. The Ides Of March
Ryan Gosling is headed for an Oscar, surely, this year. In this political drama, Gosling plays a strategist on the campaign for president by George Clooney's Governor who is both the player and the played in an under rated film. Not high on tension, its strength is in the performances of the outstanding cast with Paul Giamatti and Philip Seymour Hoffman (two personal faves) fantastic as always. Gosling puts in a five star performance, as he did in the movie Drive which just missed out on the top five.
Honourable mentions: Drive (deceptively understated), Captain America, The Smurfs, Harry Potter & The Deathly Hallows Part 2, Tintin and Scream 4.
Surprise Of The Year: Burlesque - I expected a 'bad but good' musical and instead found it to be one of the better musicals in recent years. Have to mention The Inbetweeners Movie - outrageous but very, very funny and I really expected it to be crap (though wouldn't have if I had seen the TV show first).
Flop Of The Year: Jack & Jill - Dear Adam Sandler, please realise we are no longer in the 1990s and you can't get away with the same old jokes any more.
I was also disappointed with Cars 2 while Immortals is the new record holder for lowest score getting a huge 2 out of 10.
This year promises to be very interesting. What I'm looking forward to the move are the finale to the Twilight series, the next Batman film and The Avengers. Hopefully there will be a few surprises in store and some more unforgettable acting. See you at the movies....
We had three 9/10s, one 8.5 and 11 8/10s so that's pretty good. There were also a few very low scores with eight scored of 6.5 or lower (down to a 2/10).
A bit like in 2010, the real highlights came in some stunning performances, particularly from Ryan Gosling who as far as I'm concerned put in two five-star efforts in two very different films. Anyway, here is my 2011 in review....
1. 127 Hours
This is the true story of adventurer Aron Ralston who was forced to sever his arm to free himself from being trapped in a cave. It's in some ways a gruesome tale but a brilliant performance by James Franco as Ralston keeps you fixated on the story. It was a believable portrayal of a story that is both shocking and inspiring. A narrow, but deserved, winner.
2. The King's Speech
This was actually the first film I saw in 2011. The story of King George VI (father of Queen Elizabeth) and his struggle with public speaking due to a rather embarrassing stutter and the man who helps him overcome it. Again, a great cast with Colin Firth, Geoffrey Rush and Helena Bonham Carter and also Guy Pearce. At the start of last year I raved about this as the likely film of the year but it has been topped, just, by Franco's star turn.
3. Rise Of The Planet Of The Apes
Another one with James Franco as the star. He plays a scientist working on a cure for Alzheimer's, in order to cure his father (John Lithgow) of the disease. His treatment, when tested on apes, has surprising results but also grave ramifications for the population. This prequel to Planet Of The Apes was one of the surprises of the year for me, having been underwhelmed by the remake of the original a few years back. Franco is again excellent and Lithgow, as usual, is a scene stealer. Loved it and clearly one of the best of the year.
4. Unstoppable
When I looked back through my ratings I was surprised that this one made the top five but it is better than the average of its type of film. With Denzel Washington and Chris Pine, this one carried a pretty simple premise - runaway train heading for disaster - but was so well executed it was riveting and the two stars were magnetic. With a soundtrack that kept up the tension it was one of the more enjoyable movie experiences.
5. The Ides Of March
Ryan Gosling is headed for an Oscar, surely, this year. In this political drama, Gosling plays a strategist on the campaign for president by George Clooney's Governor who is both the player and the played in an under rated film. Not high on tension, its strength is in the performances of the outstanding cast with Paul Giamatti and Philip Seymour Hoffman (two personal faves) fantastic as always. Gosling puts in a five star performance, as he did in the movie Drive which just missed out on the top five.
Honourable mentions: Drive (deceptively understated), Captain America, The Smurfs, Harry Potter & The Deathly Hallows Part 2, Tintin and Scream 4.
Surprise Of The Year: Burlesque - I expected a 'bad but good' musical and instead found it to be one of the better musicals in recent years. Have to mention The Inbetweeners Movie - outrageous but very, very funny and I really expected it to be crap (though wouldn't have if I had seen the TV show first).
Flop Of The Year: Jack & Jill - Dear Adam Sandler, please realise we are no longer in the 1990s and you can't get away with the same old jokes any more.
I was also disappointed with Cars 2 while Immortals is the new record holder for lowest score getting a huge 2 out of 10.
This year promises to be very interesting. What I'm looking forward to the move are the finale to the Twilight series, the next Batman film and The Avengers. Hopefully there will be a few surprises in store and some more unforgettable acting. See you at the movies....
Friday, December 30, 2011
Resolution
I rarely make New Years resolutions but I think that it is important that I start 2012 in the right way and make an effort to change a few things.
I have alluded to this already.
My resolution is to give up all forms of gambling, be they racehorses, machines etc, until Golden Slipper Day which is Easter Saturday this year in early April.
I think three months is a good starting point. It will allow me to save a bit of money and get back onto the right trajectory financially.
When I say save money, obviously gambling has its risks and lately I haven't been very sensible with my gambling. Hence the urge to stop and shake off the reckless spending.
I hope to save quite a deal of money in 2012 and I have even drawn up a budget to help me work out where my money is going.
I have to finalise that in the next couple of days.
I also need to find a couple of extra activities to take the focus off the gambling which is important because of my job.
So, here's to a 2012 that will see plenty of positive growth.
I have alluded to this already.
My resolution is to give up all forms of gambling, be they racehorses, machines etc, until Golden Slipper Day which is Easter Saturday this year in early April.
I think three months is a good starting point. It will allow me to save a bit of money and get back onto the right trajectory financially.
When I say save money, obviously gambling has its risks and lately I haven't been very sensible with my gambling. Hence the urge to stop and shake off the reckless spending.
I hope to save quite a deal of money in 2012 and I have even drawn up a budget to help me work out where my money is going.
I have to finalise that in the next couple of days.
I also need to find a couple of extra activities to take the focus off the gambling which is important because of my job.
So, here's to a 2012 that will see plenty of positive growth.
We Bought A Zoo

I guess the title takes away any need to guess what the movie We Bought A Zoo is about!
Matt Damon plays widower Benjamin Mee, a man struggling to move on from the death of his wife and raise their two children Dylan (Colin Ford) and Rosie (Maggie Elizabeth Jones).
Looking for a new start, Mee searches for a suitable new residence and the one house that speaks to him happens to be attached to a zoo.
If he buys the house he buys the zoo and the responsibility for reopening it - and against the advice of his brother Duncan (Thomas Haden Church) he takes the leap.
The zoo has its own motley crew of employees led by the beautiful Kelly Foster (Scarlett Johannson), who isn't entirely certain that Benjamin knows what he has got himself into.
In the wrong hands this could have been a depressing movie - Damon's character spends a lot of time grieving (though not obviously a lot of the time) over his wife - but there's plenty of optimism there as well. His relationship with his two children is a focus and they are very different connections, as you'd expect when one is a teenage boy and the other is an innocent seven-year-old girl who, SPOILER, still believes in the Easter Bunny.
What We Bought A Zoo does right is in the chemistry the characters have with each other, and that includes the animals - the 17-year-old tiger Spar is a major player in the film.
It's a strong cast, Matt Damon playing a father of a teenager makes you feel a bit old, and with Scarlett in there as well there's the added glow she contributes to her movies as well. Seriously, her character is quite sweet.
It's not a drop everything and rush to the cinema type of movie, but it is well done, has an appealing cast and a poignant story. A 7.5 out of 10.
Matt Damon plays widower Benjamin Mee, a man struggling to move on from the death of his wife and raise their two children Dylan (Colin Ford) and Rosie (Maggie Elizabeth Jones).
Looking for a new start, Mee searches for a suitable new residence and the one house that speaks to him happens to be attached to a zoo.
If he buys the house he buys the zoo and the responsibility for reopening it - and against the advice of his brother Duncan (Thomas Haden Church) he takes the leap.
The zoo has its own motley crew of employees led by the beautiful Kelly Foster (Scarlett Johannson), who isn't entirely certain that Benjamin knows what he has got himself into.
In the wrong hands this could have been a depressing movie - Damon's character spends a lot of time grieving (though not obviously a lot of the time) over his wife - but there's plenty of optimism there as well. His relationship with his two children is a focus and they are very different connections, as you'd expect when one is a teenage boy and the other is an innocent seven-year-old girl who, SPOILER, still believes in the Easter Bunny.
What We Bought A Zoo does right is in the chemistry the characters have with each other, and that includes the animals - the 17-year-old tiger Spar is a major player in the film.
It's a strong cast, Matt Damon playing a father of a teenager makes you feel a bit old, and with Scarlett in there as well there's the added glow she contributes to her movies as well. Seriously, her character is quite sweet.
It's not a drop everything and rush to the cinema type of movie, but it is well done, has an appealing cast and a poignant story. A 7.5 out of 10.
Wednesday, December 28, 2011
The Adventures of Tintin

Having not been a follower as a younger person I approached The Adventures of Tintin with a fair deal of optimism based on some good reviews and the impression from the trailer.
With Steven Spielberg as the major driving force behind it there was never really any concern and I'd certainly recommend Tintin to those who like a bit of fun and adventure.
Tintin (Jamie Bell) is a journalist who stumbles upon a rare model of a pirate ship called the Unicorn and soon discovers there is a secret behind it as several shady characters seek to purchase, then steal, it from him.
With his trusty dog Snowy (easily the coolest animated dog since Gromit) by his side Tintin follows the trail via all kinds of unlikely means and that leads him to Captain Haddock (Andy Serkis), the lone descendant of the captain of the Unicorn.
Of course there are bad guys. Mr. Rackham (Daniel Craig) will stop at nothing to get his hands on all three models to unlock the secret of the Unicorn and, as we find out, settle a personal score.
Aside from the almost faultless animation, Spielberg has given us a very accessible and entertaining couple of hours and in doing so established a viable series. It's filled with mystery, adventure and comedy and the irresistible Snowy steals a lot of the scenes.
I saw a 2D session, mainly because I think 3D is over rated and has rarely added to the cinematic experience.
I saw this with my 10 year old nephew and he enjoyed it and didn't seem to be over his head at all. So that's a positive and I wouldn't hesitate in taking a youngster to see it. An 8 out of 10.
With Steven Spielberg as the major driving force behind it there was never really any concern and I'd certainly recommend Tintin to those who like a bit of fun and adventure.
Tintin (Jamie Bell) is a journalist who stumbles upon a rare model of a pirate ship called the Unicorn and soon discovers there is a secret behind it as several shady characters seek to purchase, then steal, it from him.
With his trusty dog Snowy (easily the coolest animated dog since Gromit) by his side Tintin follows the trail via all kinds of unlikely means and that leads him to Captain Haddock (Andy Serkis), the lone descendant of the captain of the Unicorn.
Of course there are bad guys. Mr. Rackham (Daniel Craig) will stop at nothing to get his hands on all three models to unlock the secret of the Unicorn and, as we find out, settle a personal score.
Aside from the almost faultless animation, Spielberg has given us a very accessible and entertaining couple of hours and in doing so established a viable series. It's filled with mystery, adventure and comedy and the irresistible Snowy steals a lot of the scenes.
I saw a 2D session, mainly because I think 3D is over rated and has rarely added to the cinematic experience.
I saw this with my 10 year old nephew and he enjoyed it and didn't seem to be over his head at all. So that's a positive and I wouldn't hesitate in taking a youngster to see it. An 8 out of 10.
Tuesday, December 27, 2011
Mission Impossible 4: Ghost Protocol

I tend to just brush over Tom Cruise movies these days. I can't say exactly why but he just doesn't seem to do it for me anymore, for want of a better way of putting it.
After butchering the talents of Philip Seymour Hoffman in MI3 I did approach Mission Impossible: Ghost Protocol (don't know why they couldn't have just called it MI4) with a little bit of caution.
Happily, Tom Cruise delivered here going back to the role of super spy Ethan Hunt. What makes him likable is that he doesn't seem to take himself too seriously and seems like he's having a bit of fun.
With movies like the Bourne series and the new James Bond movies surpassing what Cruise did in the first two films, therefore making his effort in the third one look ordinary, he has definitely paid attention and the writers have gone all out to try and at least match those films.
A solid support cast helps and plenty of 'no-way' action scenes (the one on the Burj in Dubai comes to mind) make MI4 quite entertaining.
When the IMF is closed down by the US president Hunt and his team are forced to go rogue to stop a terrorist called Hendricks (Michael Niqvist from the Swedish Dragon Tattoo series) the gathers his small team and travels the globe to fulfil their mission. The team consists of a long time tech-turned agent Benji (Simon Pegg), who provides a lot of the comic relief, and agents Jane (Paula Patton) and Brandt (the excellent Jeremy Renner).
There are a number of spectacular scenes - the aforementioned Burj scene, the sandstorm chase is pretty cool if completely unbelievable, the Kremlin blowing up... to name a few.
I'd have to say even if you have cooled on Tom Cruise in the past few years but enjoyed the original couple of movies then you'll be in for a treat. A 7 out of 10.
After butchering the talents of Philip Seymour Hoffman in MI3 I did approach Mission Impossible: Ghost Protocol (don't know why they couldn't have just called it MI4) with a little bit of caution.
Happily, Tom Cruise delivered here going back to the role of super spy Ethan Hunt. What makes him likable is that he doesn't seem to take himself too seriously and seems like he's having a bit of fun.
With movies like the Bourne series and the new James Bond movies surpassing what Cruise did in the first two films, therefore making his effort in the third one look ordinary, he has definitely paid attention and the writers have gone all out to try and at least match those films.
A solid support cast helps and plenty of 'no-way' action scenes (the one on the Burj in Dubai comes to mind) make MI4 quite entertaining.
When the IMF is closed down by the US president Hunt and his team are forced to go rogue to stop a terrorist called Hendricks (Michael Niqvist from the Swedish Dragon Tattoo series) the gathers his small team and travels the globe to fulfil their mission. The team consists of a long time tech-turned agent Benji (Simon Pegg), who provides a lot of the comic relief, and agents Jane (Paula Patton) and Brandt (the excellent Jeremy Renner).
There are a number of spectacular scenes - the aforementioned Burj scene, the sandstorm chase is pretty cool if completely unbelievable, the Kremlin blowing up... to name a few.
I'd have to say even if you have cooled on Tom Cruise in the past few years but enjoyed the original couple of movies then you'll be in for a treat. A 7 out of 10.
Tuesday, December 06, 2011
Jack and Jill

If I needed convincing that Adam Sandler's laugh out loud comedy days are over then Jack and Jill pretty much sealed it.
It's not that there isn't the odd laugh here and there, it's more that Sandler is still pumping out the same comedy now that he was in the 90s and it is simply not funny any more.
His latest retread sees him play twins Jack and Jill Sadelstein. Yep, he's going drag.
Jack is a family man with a wife and two children and he works, successfully, in advertising. In short, he has it all.
But his blissful life is interrupted on a yearly basis when his twin sister Jill visits for the holidays and always overstays her welcome.
Playing both characters is fair enough but Sandler really doesn't try being even a little feminine when it comes to being Jill.
After a series of embarrassing mishaps Jack invites Jill to the basketball where he has courtside seats and is trying to convince Al Pacino to appear in a commercial for him. Probably the highlight of the movie, the cameo of Johnny Depp, comes in the basketball scene.
Somehow Pacino is taken by Jill and relentlessly pursues her. Jack tries to seize the opportunity to secure his services for the commercial and goes to many lengths to seal the deal.
You can't help but shake your head and wonder why Al Pacino chose to be in this movie, as himself - this is no Being John Malkovich. He comes off looking pretty ordinary, which is a shame.
I need go no further. Sandler's comedies are now on the refuse list until he produces something that gets rave reviews. I just can't believe this is the same guy that produced a stunning performance in Reign Over Me a few years ago. It's not funny and I'd be steering clear of this one unless you really, really must see it.
A 4 out of 10.
It's not that there isn't the odd laugh here and there, it's more that Sandler is still pumping out the same comedy now that he was in the 90s and it is simply not funny any more.
His latest retread sees him play twins Jack and Jill Sadelstein. Yep, he's going drag.
Jack is a family man with a wife and two children and he works, successfully, in advertising. In short, he has it all.
But his blissful life is interrupted on a yearly basis when his twin sister Jill visits for the holidays and always overstays her welcome.
Playing both characters is fair enough but Sandler really doesn't try being even a little feminine when it comes to being Jill.
After a series of embarrassing mishaps Jack invites Jill to the basketball where he has courtside seats and is trying to convince Al Pacino to appear in a commercial for him. Probably the highlight of the movie, the cameo of Johnny Depp, comes in the basketball scene.
Somehow Pacino is taken by Jill and relentlessly pursues her. Jack tries to seize the opportunity to secure his services for the commercial and goes to many lengths to seal the deal.
You can't help but shake your head and wonder why Al Pacino chose to be in this movie, as himself - this is no Being John Malkovich. He comes off looking pretty ordinary, which is a shame.
I need go no further. Sandler's comedies are now on the refuse list until he produces something that gets rave reviews. I just can't believe this is the same guy that produced a stunning performance in Reign Over Me a few years ago. It's not funny and I'd be steering clear of this one unless you really, really must see it.
A 4 out of 10.
Monday, December 05, 2011
The first step
OK, so I have a problem.
It started fairly innocently really. I was at my aunt's funeral a couple of years ago and dad gave me $50 to have a few bets on the horses.
After looking over the race fields I decided to head to the poker machine (or slot machine for anyone in the USA) area and spend it there. Guess what? I ended up with about $150.
They don't call it beginner's luck for nothing.
Technically, I wasn't a beginner. When I turned 18 I decided it was something of a rite of passage if I played the machines - so I invested $20 and played for a while and wound up collecting $20. Harmless, really.
Somehow after that experience in Orange I started to play the machines a bit more. I'd put in $20 here or there. Again, harmless fun if I lost.
Over time it grew to putting in $50 at the start and increasing the wager. I've never gone higher than that as a starting point but quite often I haven't stopped at that initial outlay.
Somewhere in the human brain is a switch that seems to stop the common sense part of your mind and allows you to think that you can win your money back and then some. Even though you know that at best it comes down to random luck and at worst it is geared towards you losing, you still think that.
I don't know how else to explain it. I know you can't win in the long run. The short term you can get some wins but you're kidding yourself if you think it can be sustained.
Out of nothing this habit has become a problem. I vow that it won't have any further negative effect on me, it's not fun and I can see that it has the potential to grow into a bigger problem.
Why bet on pure chance with a machine when it is designed for you to lose? I've spent most of my professional life working in the horse racing industry and I know all about risk. With the horses there are factors that can eliminate certain outcomes, with the machines you have no control - it's all down to pure chance and, as they say in casinos, the house always wins.
So I have taken the first step - this is a problem that can be fixed.
Stick with what you know and back yourself, not a machine.
I must be strong in keeping myself in line and then what has become a bad habit can return to something that I tried once and moved on, once again.
Why is it, though, that a habit (particularly a bad one) is so easy to start but so difficult to finish?
It started fairly innocently really. I was at my aunt's funeral a couple of years ago and dad gave me $50 to have a few bets on the horses.
After looking over the race fields I decided to head to the poker machine (or slot machine for anyone in the USA) area and spend it there. Guess what? I ended up with about $150.
They don't call it beginner's luck for nothing.
Technically, I wasn't a beginner. When I turned 18 I decided it was something of a rite of passage if I played the machines - so I invested $20 and played for a while and wound up collecting $20. Harmless, really.
Somehow after that experience in Orange I started to play the machines a bit more. I'd put in $20 here or there. Again, harmless fun if I lost.
Over time it grew to putting in $50 at the start and increasing the wager. I've never gone higher than that as a starting point but quite often I haven't stopped at that initial outlay.
Somewhere in the human brain is a switch that seems to stop the common sense part of your mind and allows you to think that you can win your money back and then some. Even though you know that at best it comes down to random luck and at worst it is geared towards you losing, you still think that.
I don't know how else to explain it. I know you can't win in the long run. The short term you can get some wins but you're kidding yourself if you think it can be sustained.
Out of nothing this habit has become a problem. I vow that it won't have any further negative effect on me, it's not fun and I can see that it has the potential to grow into a bigger problem.
Why bet on pure chance with a machine when it is designed for you to lose? I've spent most of my professional life working in the horse racing industry and I know all about risk. With the horses there are factors that can eliminate certain outcomes, with the machines you have no control - it's all down to pure chance and, as they say in casinos, the house always wins.
So I have taken the first step - this is a problem that can be fixed.
Stick with what you know and back yourself, not a machine.
I must be strong in keeping myself in line and then what has become a bad habit can return to something that I tried once and moved on, once again.
Why is it, though, that a habit (particularly a bad one) is so easy to start but so difficult to finish?
Wednesday, November 30, 2011
The Ides Of March

If there is an actor who is at the top of him game at the moment it is Ryan Gosling and he serves up another stunning performance in political drama The Ides Of March .
Gosling plays Stephen Meyes, the brains behind the presidential candidate Mike Morris (George Clooney). He's a relative newcomer to the cut throat world of politics.
This is seen pretty early when we meet the campaign managers for the two democratic candidates - Paul Zara (Phillip Seymour Hoffman) and Tom Duffy (Paul Giamatti) - who are both more than experienced at playing the game.
Both know Meyers is good but they are also aware he's a bit wet behind the ears and make use of reporter Ida Horowicz (Marisa Tomei) to prove the point.
It's a bit of who is playing who as each tries to outmaneuver each other.
The pressure is well and truly put on Meyers when he discovers a scandal involving intern Molly (Evan Rachel Wood) that could easily end the campaign for Morris.
Gosling really stands out here and that's a bit of a call considering the company he is in - Giamatti and Hoffman are outstanding actors - and coupled with his performances in Drive and Lars And The Real Girl a couple of years back he's a star well and truly on the rise.
(I also have to confess to a bit of a man crush here too!!)
As far as the overall film goes there are probably better political dramas or thrillers out there but The Ides Of March is well worth a look. There are a few, I wouldn't call them twists, interesting turns and you have to wonder if there really are any winners.
I enjoyed it, and with such a great cast it would be disappointing if I didn't. 8 out of 10 and I'd expect there has to be an Oscar nomination for Gosling coming up pretty soon.
Gosling plays Stephen Meyes, the brains behind the presidential candidate Mike Morris (George Clooney). He's a relative newcomer to the cut throat world of politics.
This is seen pretty early when we meet the campaign managers for the two democratic candidates - Paul Zara (Phillip Seymour Hoffman) and Tom Duffy (Paul Giamatti) - who are both more than experienced at playing the game.
Both know Meyers is good but they are also aware he's a bit wet behind the ears and make use of reporter Ida Horowicz (Marisa Tomei) to prove the point.
It's a bit of who is playing who as each tries to outmaneuver each other.
The pressure is well and truly put on Meyers when he discovers a scandal involving intern Molly (Evan Rachel Wood) that could easily end the campaign for Morris.
Gosling really stands out here and that's a bit of a call considering the company he is in - Giamatti and Hoffman are outstanding actors - and coupled with his performances in Drive and Lars And The Real Girl a couple of years back he's a star well and truly on the rise.
(I also have to confess to a bit of a man crush here too!!)
As far as the overall film goes there are probably better political dramas or thrillers out there but The Ides Of March is well worth a look. There are a few, I wouldn't call them twists, interesting turns and you have to wonder if there really are any winners.
I enjoyed it, and with such a great cast it would be disappointing if I didn't. 8 out of 10 and I'd expect there has to be an Oscar nomination for Gosling coming up pretty soon.
Tuesday, November 29, 2011
The Inbetweeners Movie

I must admit I had never heard of The Inbetweeners before this movie came along and in some ways that may have helped. I didn't really know what to expect.
So called because they sit in between the cool people and the freaks in the high school pecking order and are left to awkwardly pursue life with that role.
The best comparison that can be given, as far as the film's standing goes, is it is like a British American Pie (quite appropriately the trailer to the new American Pie film, Reunion, was shown in my screening). But be warned as this makes the AP films look PG-rated.
Our four hapless heroes are Jay (James Buckley), Neil (Blake Harrison), Simon (Joe Thomas) and Will (Simon Bird) who take off after graduating for a schoolies-type holiday in Greece. As you do.
Their plan, or maybe Jay's, is for them to basically get as much action as physically possible.
Looking at them you can guess how that is going to go, at least in the short term.
I had no real prior knowledge of the characters from the TV series but I thought Will was a particularly well rounded character and was played with plenty of humility by Simon Bird. He's basically the narrator and despite having possibly the best in the physical stature of the quartet is very much self deprecating when it comes to girls.
I do have to say that there is very little left to the imagination as we go through the movie. There is plenty of coarse language, plenty of nudity (strangely mainly male) and at times it can be seen as quite offensive. But it depends on what you expect and how you take it.
Personally, I haven't seen a funnier movie in quite a while. Sure, it was inappropriate and crass and at times very juvenile but I couldn't help but chuckle just about the whole way though, with several really, really funny moments.
Not for the prudish in any way, The Inbetweeners Movie is very good fun. A 7.5 out of 10.
I won't give a full review of Immortals (3D) but it now holds a new record low score for a movie since I've been keeping scores. A 2 out of 10. If you've got nothing better to do then knock yourself out but if you must see it Mickey Rourke isn't a bad villain and the lead guy, who will be the next Superman, is good in his role but they all had nothing to work with. Avoid.
So called because they sit in between the cool people and the freaks in the high school pecking order and are left to awkwardly pursue life with that role.
The best comparison that can be given, as far as the film's standing goes, is it is like a British American Pie (quite appropriately the trailer to the new American Pie film, Reunion, was shown in my screening). But be warned as this makes the AP films look PG-rated.
Our four hapless heroes are Jay (James Buckley), Neil (Blake Harrison), Simon (Joe Thomas) and Will (Simon Bird) who take off after graduating for a schoolies-type holiday in Greece. As you do.
Their plan, or maybe Jay's, is for them to basically get as much action as physically possible.
Looking at them you can guess how that is going to go, at least in the short term.
I had no real prior knowledge of the characters from the TV series but I thought Will was a particularly well rounded character and was played with plenty of humility by Simon Bird. He's basically the narrator and despite having possibly the best in the physical stature of the quartet is very much self deprecating when it comes to girls.
I do have to say that there is very little left to the imagination as we go through the movie. There is plenty of coarse language, plenty of nudity (strangely mainly male) and at times it can be seen as quite offensive. But it depends on what you expect and how you take it.
Personally, I haven't seen a funnier movie in quite a while. Sure, it was inappropriate and crass and at times very juvenile but I couldn't help but chuckle just about the whole way though, with several really, really funny moments.
Not for the prudish in any way, The Inbetweeners Movie is very good fun. A 7.5 out of 10.
I won't give a full review of Immortals (3D) but it now holds a new record low score for a movie since I've been keeping scores. A 2 out of 10. If you've got nothing better to do then knock yourself out but if you must see it Mickey Rourke isn't a bad villain and the lead guy, who will be the next Superman, is good in his role but they all had nothing to work with. Avoid.
Sunday, November 27, 2011
The hollow man
In the middle of everything that is going on in the world something occurred to me recently that in some way shocked me and in another way came as no surprise.
I can't feel anything.
No, I haven't been suddenly struck numb. I haven't lost my sense of touch but I think my inner sense of feeling has been eroded.
When it comes to myself I can feel all things. When it comes to external things it seems all I can come up with is what amounts to 'meh'. I know when something that is supposed to elicit some kind of emotion happens I can acknowledge it but am rarely physically affected.
It's almost like I've been desensitised to anything outside my existence. It's also a very scary thought.
The best way to describe it is kind of a hollow feeling.
I've discovered this, I guess, through a number of pretty hollow pursuits over the past few months. Among other things.
As I sit here and type I can feel all manner of things going on inside me, some I have become accustomed to and some I am perennially tortured by, but when it comes to the mind and the heart they are seemingly indifferent.
No small part of this has to be a result of a number of years on anti-depressants. These little white pills are very effective is getting you down to a moderate level and keeping you there. But that's the trouble, you're in this seemingly endless pattern of no real highs and no real big lows and it is really ticking me off.
I have tried a couple of times to taper off them but so far they have won. Seemingly I struggle when I reach a certain level and just can't seem to get beyond it.
If one thing is for sure - I don't want to be hollow.
I can't feel anything.
No, I haven't been suddenly struck numb. I haven't lost my sense of touch but I think my inner sense of feeling has been eroded.
When it comes to myself I can feel all things. When it comes to external things it seems all I can come up with is what amounts to 'meh'. I know when something that is supposed to elicit some kind of emotion happens I can acknowledge it but am rarely physically affected.
It's almost like I've been desensitised to anything outside my existence. It's also a very scary thought.
The best way to describe it is kind of a hollow feeling.
I've discovered this, I guess, through a number of pretty hollow pursuits over the past few months. Among other things.
As I sit here and type I can feel all manner of things going on inside me, some I have become accustomed to and some I am perennially tortured by, but when it comes to the mind and the heart they are seemingly indifferent.
No small part of this has to be a result of a number of years on anti-depressants. These little white pills are very effective is getting you down to a moderate level and keeping you there. But that's the trouble, you're in this seemingly endless pattern of no real highs and no real big lows and it is really ticking me off.
I have tried a couple of times to taper off them but so far they have won. Seemingly I struggle when I reach a certain level and just can't seem to get beyond it.
If one thing is for sure - I don't want to be hollow.
Thursday, November 24, 2011
Breaking Dawn part 1

So we're into the final book of the Twilight Saga and it's definitely the one which was going to be the trickiest to translate to a movie.
Breaking Dawn part 1 rejoins the story as Bella and Edward prepare for their wedding.
A lot of time is spent setting up part 2 as we meet a number of friends of the Cullen family who will play a role in the conclusion to the story next year.
The wedding does take up a bit more time that it probably should and we get the warning from Jacob that once she is married Bella will become the enemy. Bella tells Jacob that nothing will change and she isn't planning on becoming a vampire for at least a year.
Things change quickly once the newlyweds reach their honeymoon destination, Isle Esme somewhere off Rio de Janiero. After being warned that consummating the marriage would kill Bella they eventually give it a go, with a few somewhat hilarious scenes.
As the trailer to the movie has given away - and I think they made a mistake there for people who hadn't read the book - Bella miraculously falls pregnant and the baby is a fast grower.
They return to Forks to try and work out what it is that is growing inside her and what threat it might pose. When the wolves decide that the baby poses a threat it forces Jacob to choose between the wolves and the Cullens.
The point in which they split the book was predictable to those who have read it and pretty satisfying really. There is also an extra scene midway through the credits which gives us some direction for the finale.
Look, the Twilight series isn't high art and it has been made with the fans of the series in mind and on that score it is very well done. Like all the other ones there are flaws but with the knowledge of the books you don't notice so much.
A 7.5 out of 10 and hoping that the finale is a 9!
Breaking Dawn part 1 rejoins the story as Bella and Edward prepare for their wedding.
A lot of time is spent setting up part 2 as we meet a number of friends of the Cullen family who will play a role in the conclusion to the story next year.
The wedding does take up a bit more time that it probably should and we get the warning from Jacob that once she is married Bella will become the enemy. Bella tells Jacob that nothing will change and she isn't planning on becoming a vampire for at least a year.
Things change quickly once the newlyweds reach their honeymoon destination, Isle Esme somewhere off Rio de Janiero. After being warned that consummating the marriage would kill Bella they eventually give it a go, with a few somewhat hilarious scenes.
As the trailer to the movie has given away - and I think they made a mistake there for people who hadn't read the book - Bella miraculously falls pregnant and the baby is a fast grower.
They return to Forks to try and work out what it is that is growing inside her and what threat it might pose. When the wolves decide that the baby poses a threat it forces Jacob to choose between the wolves and the Cullens.
The point in which they split the book was predictable to those who have read it and pretty satisfying really. There is also an extra scene midway through the credits which gives us some direction for the finale.
Look, the Twilight series isn't high art and it has been made with the fans of the series in mind and on that score it is very well done. Like all the other ones there are flaws but with the knowledge of the books you don't notice so much.
A 7.5 out of 10 and hoping that the finale is a 9!
Tuesday, November 15, 2011
Secret Codes and Battleships

Let me start by saying that this is, without any doubt at all, THE album of 2011.
Being a long time Darren Hayes/Savage Garden fan I was always going to get his new album Secret Codes and Battleships but, to my surprise, it blew me away. Easily the best thing he's done since Savage Garden (though he has made some very good music) and every bit as good as SG's debut album (but just below Affirmation).
Somehow Hayes has managed to find the balance between the slightly electric pop he has been dabbling in and classic SG-style pop - and it works to an extent that all 12 songs on the album proper are brilliant.
It's a rare thing that you can get a CD and not need to skip tracks, happily listening to it from track one to the end. I've done that a lot in the couple of weeks since I bought it.
Standouts? Well, I keep coming back to the opening track Taken By The Sea, closely followed by Hurt, Roses (where he seems to make reference to his 'previous' life and divorce) and Stupid Mistake.
The two songs most talked about are Black Out The Sun, which he originally wrote for Leona Lewis but thankfully kept for himself, and Bloodstained Heart. The latter is quite a stunning song.
I'd say the lead single Talk Talk Talk is probably the weakest of the 12 but I still listen to it without any problem.
Unfortunately, this album is likely to be largely ignored by the music buying public who are more interested in inane, trashy pop by the likes of Lady Gaga and her contemporaries but, take it from me, this is a cut or two or three above that. This is first class, intelligent, modern pop with a hint of a throwback to the Savage Garden days.
As I noted as the start - best album of the year, easily. Well done Darren.
Being a long time Darren Hayes/Savage Garden fan I was always going to get his new album Secret Codes and Battleships but, to my surprise, it blew me away. Easily the best thing he's done since Savage Garden (though he has made some very good music) and every bit as good as SG's debut album (but just below Affirmation).
Somehow Hayes has managed to find the balance between the slightly electric pop he has been dabbling in and classic SG-style pop - and it works to an extent that all 12 songs on the album proper are brilliant.
It's a rare thing that you can get a CD and not need to skip tracks, happily listening to it from track one to the end. I've done that a lot in the couple of weeks since I bought it.
Standouts? Well, I keep coming back to the opening track Taken By The Sea, closely followed by Hurt, Roses (where he seems to make reference to his 'previous' life and divorce) and Stupid Mistake.
The two songs most talked about are Black Out The Sun, which he originally wrote for Leona Lewis but thankfully kept for himself, and Bloodstained Heart. The latter is quite a stunning song.
I'd say the lead single Talk Talk Talk is probably the weakest of the 12 but I still listen to it without any problem.
Unfortunately, this album is likely to be largely ignored by the music buying public who are more interested in inane, trashy pop by the likes of Lady Gaga and her contemporaries but, take it from me, this is a cut or two or three above that. This is first class, intelligent, modern pop with a hint of a throwback to the Savage Garden days.
As I noted as the start - best album of the year, easily. Well done Darren.
Monday, November 07, 2011
Regression
If there is one thing I don't want it is to go backwards.
Without question I have come a long way in the past few years but what seems clear is that my reaction to certain things seems to be the same.
Or at least very close to the same, the over reaction that allows my mind to run away with itself before considering more logical explanations.
I know I have learned a lot, not only about myself but also practical things that can be used in situations where over reaction is possible. I have pushed myself, tried things I had been afraid to try before and travelled when only a few years ago I had very narrow boundaries.
In some of these things I have gained the confidence to continue - but there were a few moments last Friday where I admit I thought I could be back at square one.
Not only was that a scary thought at the time the prospect of going back there is, quite frankly, haunting. But as I said previously, I am tired of being afraid.
Without question I have come a long way in the past few years but what seems clear is that my reaction to certain things seems to be the same.
Or at least very close to the same, the over reaction that allows my mind to run away with itself before considering more logical explanations.
I know I have learned a lot, not only about myself but also practical things that can be used in situations where over reaction is possible. I have pushed myself, tried things I had been afraid to try before and travelled when only a few years ago I had very narrow boundaries.
In some of these things I have gained the confidence to continue - but there were a few moments last Friday where I admit I thought I could be back at square one.
Not only was that a scary thought at the time the prospect of going back there is, quite frankly, haunting. But as I said previously, I am tired of being afraid.
Sunday, November 06, 2011
Half living
'A life lived in fear is a life half lived'.
It's a quote from the movie Strictly Ballroom, a classic film in its own right and a line that could not be any truer.
Particularly for me.
I am tired of living in fear. It's easy to say that you should just not be afraid any more but that is far too simplistic.
What am I afraid of? That is something that is hard to define - I am afraid of losing my freedom, that my health scare of six years ago now is just waiting to come back and get me.
I had a startling reminder of this a few days back.
I thought I had passed blood in the bathroom and I kinda went cold and numb for a second at the thought of it and what it would mean.
Long story short it wasn't blood but jam that had been discarded in the bowl and had not flushed completely away. It was a massive relief to say the least but the feeling has stuck with me to an extent.
It was an illustration that what happened there is a possibility, though not a likelihood at this stage, that it could one day be a reality.
A bout of what I think was food poisoning a day earlier didn't help, either.
I fell back to old habits, thinking that if it were real then there were all these things I had planned that I wouldn't be able to do - things I had been looking forward to.
Anyway, I will get a clearer picture on where all that stands at the end of the month when I have my about 2-yearly look through assessing my inner health - you know what I mean.
Now the last two of those have been excellent and, really, there is no reason why I should think that this time will be any different. I could get picky about a couple of small things but, largely, I am doing pretty well.
Having committed myself to go to the gym as much as possible is also helping and I have noticed some differences. Hopefully as my physical body strengthens my mind can as well.
I often think it is funny that what scares me are things from within and not external things. It's almost like my phobia about magpies.
But that's another story.
I have taken some rather large steps this year and another one will be taken later this month, an achievement that I thought impossible a few years ago is now something I am looking forward to with some vigor.
It's a quote from the movie Strictly Ballroom, a classic film in its own right and a line that could not be any truer.
Particularly for me.
I am tired of living in fear. It's easy to say that you should just not be afraid any more but that is far too simplistic.
What am I afraid of? That is something that is hard to define - I am afraid of losing my freedom, that my health scare of six years ago now is just waiting to come back and get me.
I had a startling reminder of this a few days back.
I thought I had passed blood in the bathroom and I kinda went cold and numb for a second at the thought of it and what it would mean.
Long story short it wasn't blood but jam that had been discarded in the bowl and had not flushed completely away. It was a massive relief to say the least but the feeling has stuck with me to an extent.
It was an illustration that what happened there is a possibility, though not a likelihood at this stage, that it could one day be a reality.
A bout of what I think was food poisoning a day earlier didn't help, either.
I fell back to old habits, thinking that if it were real then there were all these things I had planned that I wouldn't be able to do - things I had been looking forward to.
Anyway, I will get a clearer picture on where all that stands at the end of the month when I have my about 2-yearly look through assessing my inner health - you know what I mean.
Now the last two of those have been excellent and, really, there is no reason why I should think that this time will be any different. I could get picky about a couple of small things but, largely, I am doing pretty well.
Having committed myself to go to the gym as much as possible is also helping and I have noticed some differences. Hopefully as my physical body strengthens my mind can as well.
I often think it is funny that what scares me are things from within and not external things. It's almost like my phobia about magpies.
But that's another story.
I have taken some rather large steps this year and another one will be taken later this month, an achievement that I thought impossible a few years ago is now something I am looking forward to with some vigor.
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